Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
The Sunday had been nerve-racking. She felt she was on show. Many
years it was since she had entered the Trants’ house. In those early
days she had come in as Helen’s school friend, and nobody had taken
much notice of her. Mr. Trant had chattered amiable trivialities and
chaffed her about her red hair. Now all was immensely different. She
was George’s _fiancée_. She had to be treated with deference. Mr.
Trant discussed the weather and gardening and (to the utmost extent of
his capabilities) music. Mrs. Trant was effusively embarrassed. Helen
was rather frigid. After tea they went into the drawing-room. Catherine
and Mrs. Trant sat for some time together on the couch turning over
the pages of a photograph album with careful enthusiasm. In it were
portrayed the Trant family in various stages of development--the
Trant family when it had anybody distinguished to stay with it for
the week-end; the Trant family at the door of its house, on Llandudno
Pier, at Chamounix, on the promenade deck of a P. and O. liner, and
in other less idyllic positions; the Trant family taking tea on the
lawn, picnicking in Epping Forest, about to set out for a motor spin,
skating on the Connaught Waters at Chingford, playing tennis (_a_)
on its own grass court, (_b_) on its own rubble court; the Trant
family in fancy dress, evening dress, riding dress, Alpine dress,
and every other kind of dress--in short, the Trant family in every
conceivable phase of its existence. Also the Trant family individually,
collectively, and in permutations and combinations. With studious
politeness Catherine enquired from time to time as to the identity of
the various strangers who obtruded themselves upon the Trant arena.
Here were Sir Miles Coppull (the American camphor king, holding
a tennis-racket jauntily); the Rev. R. P. Cole (President of the
Baptist Association); the Rev. St. Eves Bruce, M.A., D.D. (headmaster
of George’s old public school), beaming on Helen, by the way; not
to mention groups of fierce old gentlemen whom Mrs. Trant lumped
collectively as “some of Dad’s directors.” ...
Catherine thought: “Some day I shall be amongst all that lot...”
George suggested she should play a piano solo, and she tried a
Beethoven symphony movement. But she was unaccountably nervous, and a
valuable but rather gimcrack china and ivory model of the Taj Mahal at
Agra which was placed on top of the closed sound-board _would_
rattle whenever she played the chord of E flat or its inversions.
When she stopped playing Mr. Trant said: “Let me see, is that
Beethoven?” (He pronounced the first syllable to rhyme with “see” and
the second with “grove.”)
“Yes.”
“Charming little thing,” he said vaguely....
Public-domain text, read in full here on John Shaqi.
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