Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
The fact was, being engaged was deadly monotonous. It had no
excitement, no novelty. Everything was known, expected, unravelled.
When she met George at a concert she did not think: “I wonder if he has
come here on _my_ account.” She knew beyond all question that he
had. When at some social function she saw him chatting amongst his male
friends she did not think: “Will he come up and speak to me or not?”
She knew that his very presence there was probably on her account,
and that he would leave his male friends at the first available
opportunity. And when they had ices at a tiny table in some retiring
alcove it was not possible to think: “How funny we should both have
met like this! How curious that we should be alone here!” For she knew
that the whole thing had been premeditated, that the alcove itself had
probably been left attractively vacant for their especial benefit.
There was no point, no thrill, no expectancy in asking the question:
“Is it really _me_ he comes to all these places for?”
He had declared his passion in unequivocal terms that left nothing to
be desired. That was just it: there was nothing left to be desired.
She would rather he had been ambiguous about it. And occasionally the
awful thought came to her: “If this is being engaged, what must it be
like to be married? ...”
Life was so placid, so wearyingly similar day after day, evening after
evening. Every night he met her at the stage-door of the theatre
and escorted her home. Every night he raised his hat and said “Good
evening!” Every night he took her music-case off her, and they walked
arm-in-arm down the High Street. Their conversation was always either
woefully sterile or spuriously brilliant. On the rare occasions when
they had anything particular to talk about they lingered at the corner
of Gifford Road. But she could not confide in him. To tell him of her
dreams and ambitions would be like asking for a pomegranate and being
given a gaudily decorated cabbage. Their conversations were therefore
excessively trivial: she retailed theatrical and musical gossip, or,
if the hour were very late and she were tired, as frequently happened,
she replied in weary monosyllables to his enquiries. She found her mind
becoming obsessed with hundreds of insignificant facts which by dint
of constant repetition he had impressed upon her. She knew the names,
histories, characters, and family particulars of all the men who worked
with him in the stuffy little basement of the accountant’s office in
Leadenhall Street. She knew the complicated tangle of rivalries and
jealousies that went on there--how Mr. Smallwood did this and Mr. Teake
did that, and how Mr. Mainwaring (pronounced Mannering) frequently
lost his temper. She knew all the minutiae of George’s daily work and
existence, the restaurant he frequented for lunch, the train he caught
on the way home, the men he met day after day in the restaurant and on
the trains. Nothing of him was there which she did not know....
Public-domain text, read in full here on John Shaqi.
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