Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
In the interval between tea and seven o’clock she superintended the
arrangement of the piano in the drawing-room, taking care that the
light from an electric hand-lamp close by should shine advantageously
on her hair while she was playing. She decided that she would play one
of the Chopin Etudes....
§ 5
At a quarter past seven the room was full. According to custom visitors
introduced themselves to one another, the crowd being altogether too
large for ceremonious introductions. Late-comers came in quietly and
unostentatiously, sitting down where they could and nodding casually
to people they knew. The lighting was æsthetically dim, being afforded
by a few heavily-shaded electric hand-lamps scattered promiscuously on
tables and book-cases. Every available corner was occupied by extra
chairs brought in from other parts of the house, and the central
arena in front of the fireplace was a dumping-ground for music-cases,
’cellos, violins, etc. Catherine occupied a roomy arm-chair next to
the fire, and was conscious that she was being looked at attentively.
A red-shaded lamp on the end of the mantel-piece threw her hair into
soft radiance, but its effect on her eyes was so dazzling as to throw
all around her into an impenetrable dimness in which she could discern
nothing but the vague suggestion of persons and things. George sat
next to her, and from time to time passed remarks to which she replied
vivaciously, conscious that every movement of her head brought into
prominence the splendour of her hair. (Of late she had been paying
considerable attention to her hair: a visit to a West End coiffurist
had produced startling results.)
The evening crawled monotonously on. Log after log of crackling pine
was placed on the open fire-grate; song followed song, violin, ’cello,
mandoline each had its turn; a girl recited “The Dandy Fifth” in a way
that was neither better nor worse than what Catherine felt she could
have done herself, and Mr. Trant’s deep voice could be heard constantly
above the periodic applause: “Charming little thing that.” “Is that one
of Bach’s?” (pronounced “Back’s”). “Very pretty, isn’t it? Rather nice
words, don’t you think?”
Public-domain text, read in full here on John Shaqi.
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