Bildungsromans; English fiction -- 20th century; Women musicians -- Fiction
And she also thought: “Will the effect of his being present make me
play badly?” She did not know in the least whether it would or not, for
the circumstances were so completely different from what they were at
“Claremont.” Here she might possibly be able to forget he was in the
same room with her. Certainly he would not be at her elbow, turning
over the music pages with gestures that conveyed to her perfectly the
sensations of disgust that he was experiencing....
But he was playing. Her surprised speculations were immediately cut
short by the sound of the piano. She could see his fingers travelling
magically over the keys and his strange, grotesque face looking
vacantly over the top of the instrument. He looked different from
usual. It was probably the unaccustomed angle from which she was
watching him, for his features, perfectly unsymmetrical, presented an
astonishing variety of aspects.... She suddenly forgot to look at him.
Something that he played had thrilled her. A swift chord, passing into
a strange, uncouth melody set all her nerves tingling. What was this
piece? ... He went on through swirling cascades of arpeggios in the
right hand, falling octaves, crashing chords, and then, once again,
this strange uncouth melody, the same, but subtly altered. Tremendous,
passionately barbaric, was this thing that he was playing. It seized
hold of her as if it had suddenly given the answer to all her wants
and desires: it stretched out clear and limitless over the furthest
horizon she had ever glimpsed; it held all the magic of the stars.
And far ahead, further than she had ever dared to look before, lay the
long reaches of boundless, illimitable passion ... passion ... passion ...
that was what it was.... Her hands twitched convulsively on the
sides of the chair. She was caught in a great tide; it was sweeping her
further and further outward and onward; she wanted to cry out but could
not. Tears were in her eyes, but they would not fall. And for the first
time that evening she forgot the pose of her head and hair....
Applause was to her the waking from a dream. They were applauding. A
fierce storm of contempt for them overtook her, because she knew they
had not heard and seen and felt what she had heard and seen and felt.
Their applause was banal, atrociously common-place. Even in mere volume
it did not exceed that which had been accorded to the song with the
monosyllabic title or to “The Dandy Fifth.” And Catherine, vaguely
annoyed that there was any applause at all, was also vaguely angry that
it had been so indiscriminating. She did not applaud herself, but she
heard George clapping almost in her left ear, and she shot a curious
glance at him. She was thinking: “How much of it has meant anything at
_all_ to you?”
And then she heard Mr. Trant’s deep, suave voice: “What did you say
that was? Peculiar piece, but awfully pretty.”
Public-domain text, read in full here on John Shaqi.
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