Catholic World, Vol. 24, October, 1876, to March, 1877: A Monthly Magazine of General Literature and ScienceVarious
Religion
Catholic World, Vol. 24, October, 1876, to March, 1877: A Monthly Magazine of General Literature and Science
Various
Catholic Church -- Periodicals
“The ephod,” says Josephus, “is a cubit in width, and leaves the
middle of the chest open.”[66] These words have been a great
perplexity to the learned, but are easily explained when we look at
the Egyptian vestment, which is not more than a cubit in width, and
leaves open the middle of the chest in the space between the two
shoulder-bands and the upper edge of the corselet. “It is there,” adds
Josephus, “that the pectoral is placed.” This was a span square, of
the same fabric as the ephod, enriched with precious stones, and
called εσσήνης, (essenes), which signifies also λόγιον, _oracle_. This
exactly filled up the space left bare by the ephod. It would be
difficult to give a more accurate description of the Egyptian
vestment. In the eighth verse of the twenty-eighth chapter of Exodus
we read: “_And the belt of the ephod, which passes over it, shall be
of the same stuff._”
In the Egyptian paintings the lower edge of the ephod is encircled by
a girdle usually made of the same material as the corselet itself. The
resemblance in every particular between the Hebrew and the Egyptian
ephod is, in fact, perfect.
We must now proceed more fully to consider the pectoral, the
importance of which renders it worthy of very careful study.
“And thou shalt make the rational of judgment,”[67] the Lord
God commands Moses, “with embroidered work of divers colors,
according to the workmanship of the ephod, of gold, violet,
and purple, and scarlet twice dyed, and fine twisted linen.
It shall be four-square and doubled: it shall be the measure
of a span both in length and breadth. And thou shalt set in
it four rows of stones: in the first row shall be a sardius
stone, a topaz, and an emerald; in the second a carbuncle, a
sapphire, and a jasper; in the third a ligurius, an agate,
and an amethyst; in the fourth a chrysolite, an onyx, and a
beryl. They shall be set in gold by their rows. And they
shall have the names of the children of Israel: with twelve
names shall they be engraved, each stone with the name of
one according to the twelve tribes.… And Aaron shall bear
the names of the children of Israel in the rational of
judgment upon his breast, when he shall enter into the
sanctuary, a memorial before the Lord for ever.”
This passage has been compared by commentators with the following from
Elian: “Among the Egyptians, from the remotest ages, the priests were
also the judges; the senior being chief, and judge over all the rest.
It was required of him that he should be the most just and upright of
men. He wore suspended from his neck an image made of sapphire, and
which was called TRUTH.”[68]
And Diodorus Siculus, respecting the same symbol, writes as follows:
“The chief of the judges of Egypt wore round his neck, suspended from
a chain of gold, a symbol made of precious stones, and called _Truth_.
Until the judge had put on this image no discussion began.”[69]
Public-domain text, read in full here on John Shaqi.
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