Adventure stories; Scotland -- History -- 18th century -- Fiction
As for James, he paid not so much heed to us, or to anything in nature
but his pocket, and his belly, and his own prating talk. Before twelve
hours were gone he had raised a small loan of me; before thirty, he had
asked for a second and been refused. Money and refusal he took with the
same kind of high good nature. Indeed, he had an outside air of
magnanimity that was very well fitted to impose upon a daughter; and
the light in which he was constantly presented in his talk, and the
man’s fine presence and great ways went together pretty harmoniously.
So that a man that had no business with him, and either very little
penetration or a furious deal of prejudice, might almost have been
taken in. To me, after my first two interviews, he was as plain as
print; I saw him to be perfectly selfish, with a perfect innocency in
the same; and I would hearken to his swaggering talk (of arms, and “an
old soldier,” and “a poor Highland gentleman,” and “the strength of my
country and my friends”) as I might to the babbling of a parrot.
The odd thing was that I fancy he believed some part of it himself, or
did at times; I think he was so false all through that he scarce knew
when he was lying; and for one thing, his moments of dejection must
have been wholly genuine. There were times when he would be the most
silent, affectionate, clinging creature possible, holding Catriona’s
hand like a big baby, and begging of me not to leave if I had any love
to him; of which, indeed, I had none, but all the more to his daughter.
He would press and indeed beseech us to entertain him with our talk, a
thing very difficult in the state of our relations; and again break
forth in pitiable regrets for his own land and friends, or into Gaelic
singing.
“This is one of the melancholy airs of my native land,” he would say.
“You may think it strange to see a soldier weep, and indeed it is to
make a near friend of you,” says he. “But the notes of this singing are
in my blood, and the words come out of my heart. And when I mind upon
my red mountains and the wild birds calling there, and the brave
streams of water running down, I would scarce think shame to weep
before my enemies.” Then he would sing again, and translate to me
pieces of the song, with a great deal of boggling and much expressed
contempt against the English language. “It says here,” he would say,
“that the sun is gone down, and the battle is at an end, and the brave
chiefs are defeated. And it tells here how the stars see them fleeing
into strange countries or lying dead on the red mountain; and they will
never more shout the call of battle or wash their feet in the streams
of the valley. But if you had only some of this language, you would
weep also because the words of it are beyond all expression, and it is
mere mockery to tell you it in English.”
Public-domain text, read in full here on John Shaqi.
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