World War, 1914-1918 -- Prisoners and prisons, Turkish
However, it impressed the company in the cafe. People generally take one
at one's own valuation, and the few secret agents to whom I spoke
obviously considered that I was not a likely person to be blackmailed.
With the Greeks I was certainly popular. The seedy-smart polyglot youth
who was so liberal with his cigars (which were rather a rarity then) and
so fond of talking politics and drinking beer was a _persona grata_ in
the circles he frequented. We talked much of revolution.
"We will crucify the Young Turks," said a Greek to me one day, "and then
eat them in little bits. We will----" His expressive hands suddenly
paused in mid-gesture, and his mouth dropped open, but only for an
instant. He had seen a detective enter. "We will continue to preserve
our dignity and remain calm whatever happens," he concluded neatly.
But calm the Greeks certainly were not.
In the cellar of a German hotel in Pera the Greek proprietor displayed
one night a collection of rusty swords and old revolvers which were the
nucleus of the New Age of brotherly love, when the streets were to run
with Turkish blood, and the Cross replace the Crescent in San Sophia. I
was privileged to be present at this conclave of desperadoes. After
swearing each other to eternal secrecy we sampled some of the contents
of our host's cellar, and talked very big about what we were going to
do. But our host, beyond dancing a hornpipe and declaring that he was
going to murder everybody in the hotel (after they had paid their
bills), propounded no very definite scheme.
Out of this atmosphere of melodrama one emerged into the sombre, silent
streets and went rather furtively home, feeling that there was something
to be said for the Turks after all. But I need hardly say that no
influential Greeks had a share in these proceedings: they were always on
the side of moderation. One had been a fool to consort with fools.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account