Inheritance and succession -- Fiction; Marriage -- Fiction
Above all, the writer wished to draw attention to the looseness of the
law, and its vagaries applied to our social and moral life, as evinced
in Susan's case. The character and history of the girl is no romance,
for Susan is taken from actual existence; still the fallacy of the
current ideas on the subject of lunacy and its laws has been already
exposed by an abler pictorial pen than that of the writer.
Markworth and Clara Kingscott are no unusual types: search the daily
police and criminal intelligence, and you will come across their
"doubles." Speaking in the language of the _cuisine_, the meats
provided have been fair and hearty, and if the _plat_ be over-seasoned
or not sufficiently spiced, the blame rests on the _chef_, and not on
the viands.
Ring away, prompter! Lower the curtain. The play is ended: _le jeu est
fait_. The scene closes on the well-known forms and faces; and, as the
curtain drops on the general tableau at the end, I can still see the
cheery, weather-beaten face of Doctor Jolly, and hear him exclaiming, in
his usual way, with his hearty voice and contagious _bonhomie_--
"Bless my soul, sir! How are you? How-de-doo?"
THE END.
Public-domain text, read in full here on John Shaqi.
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