“Have patience, you rash boy!” said he. “Rome was not built in a day. Be guided by me, and follow blindly the orders of those interested in you. This is your first lesson; think it over seriously.” “My first lesson! What do you mean?” “Call it a rehearsal if you like. All that the good woman told you,” continued Tantaine, “you must look upon as true; nay, it is true, and when you believe this thoroughly, you are quite prepared for the fray, but until then you must remain quiescent. Remember this, you cannot impress others unless you firmly believe yourself. The greatest impostors of all ages have ever been their own dupes.” At the word impostor, Paul seemed about to speak, but a wave of Tantaine’s hand silenced him. “You must cast aside your old skin, and enter that of another. Paul Violaine, the natural son of a woman who kept a small drapery shop at Poitiers, Paul Violaine, the youthful lover of Rose, no longer exists. He died of cold and hunger in a garret in the Hotel de Perou, as M. de Loupins will testify when necessary.” The tone in which Tantaine spoke showed his intense earnestness, and with emphatic gestures he drove each successive idea into Paul’s brain. “You will rid yourself of your former recollections as you do of an old coat, which you throw aside, and forget the very existence of. And not only that, but you must lose your memory, and that so entirely, that if any one in the street calls out Violaine, you will never even dream of turning round.” Paul’s brain seemed to tremble beneath the crime that his companion was teaching him. “Who am I then?” asked he. A sardonic smile crossed Tantaine’s face. “You are just what the portress told you, Paul, and nothing more. Your first recollections are of a Foundling Hospital, and you never knew your parents. You have lived here fifteen months, and before that you resided in the Rue Jacob. The portress knows no more; but if you will come with me to the Rue Jacob, the people there can tell you more about your life when you were a lodger in the house. Perhaps, if you are careful, we may take you back to your more childish days, and even find you a father.” “But,” said Paul, “I might be questioned regarding my past life: what then? M. Rigal or Mademoiselle Flavia might interrogate me at any moment?” “I see; but do not disquiet yourself. You will be furnished with all necessary papers, so that you can account for all your life during the twenty-five years you spent in this world.” “Then I presume that the person into whose shoes I have crept was a composer and a musician like myself?” Again Tantaine’s patience gave way, and it was with an oath that he exclaimed,-- “Are you acting the part of a fool, or are you one in reality? No one has ever been here except you. Did you not hear what the old woman said? She told you that you are a musician, a self-made one, and while waiting until your talents are appreciated, you give lessons in music.” “And to whom do I _give_ them?”