Detective and mystery stories; Paris (France) -- Fiction
“But,” remarked Polyte, with an air of disappointment, “you don’t get
chances every day, and the business is often a precious poor one. You
can’t always be seeing chaps prigging boots.”
“Pooh! pooh!” answered Toto, “if you want to make money in this
business, you must keep your eyes about you. Our customers don’t come
to you, but there is nothing to prevent you going to them. You can hunt
until you find them.”
“And where are you to hunt, if you please?”
“Ah, that’s tellings.”
A long silence ensued, during which Tantaine was half tempted to come
forward. By doing so he would assuredly nip all explanations in the bud;
but, on the other hand, he wanted to hear all the young rascal had
to say. He therefore only moved a little nearer, and listened more
intently.
Forgetting his curls, Toto was abstractedly passing his fingers through
his hair, and reflecting with all the wisdom of a muddled brain.
Finally, he came to the conclusion that he might speak, and, leaning
forward, he whispered,--
“You won’t peach if I tell you the dodge?”
His companions assured him that he might have every confidence in them.
“Very well; I make my money in the Champs Elysees, and sometimes get a
harvest twice a day.”
“But there are no shoemakers’ shops there.”
“You are a fool,” answered Toto contemptuously. “Do you think I
blackmail thieves? That wouldn’t be half good enough. Honest people, or
at least people who call themselves honest, are my game. These are the
ones who can be made to pay up.”
Tantaine shuddered; he remembered that Mascarin had made use of the same
expression, and at once surmised that Toto must have had an occasional
ear to the keyhole.
“But,” objected Polyte, “honest people have no occasion to pay up.”
Toto struck his glass so heavily on the table that it flew to shivers.
“Will you let me speak?” said he.
“Go on, go on, my boy,” returned his friend.
“Well, when I’m hard up for cash, I go into the Champs Elysees, and take
a seat on one of the benches. From there I keep an eye on the cabs and
see who gets out of them. If a respectable woman does so, I am sure of
my bird.”
“Do you think you know a respectable woman when you see her?”
“I should think that I did. Well, when a respectable woman gets out of a
cab where she ought not to have been, she looks about her on all sides,
first to the right and then to the left, settles her veil, and, as soon
as she is sure that no one is watching her, sets off as if old Nick was
behind her.”
“Well, what do you do then?”
“Why, I take the number of the cab, and follow the lady home. Then
I wait until she has had time to get to her own rooms, and go to the
porter and say, ‘Will you give me the name of the lady who has just come
in?’”
“And do you think the porter is fool enough to do so?”
Public-domain text, read in full here on John Shaqi.
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