Cavanagh, Forest Ranger: A Romance of the Mountain WestGarland, Hamlin
General
Cavanagh, Forest Ranger: A Romance of the Mountain West
Garland, Hamlin
Forest rangers -- Fiction; Western stories
"It will be hours before any part of the sheriff's posse can reach the
falls, even though they take to the swiftest motors, and then other long
hours must intervene before I can ride down to her. Yes, at least a day
and a night must drag their slow course before I can hope to be of service
to her," and the thought drew a groan of anxiety from him. At such moments
of mental stress the trail is a torture and the mountain-side an
inexorable barrier.
Half-way to the hills he was intercepted by an old man who was at work on
an irrigating ditch beside the road. He seemed very nervous and very
inquisitive, and as he questioned the ranger his eyes were like those of a
dog that fears his master's hand. Ross wondered about this afterward, but
at the moment his mind was busy with the significance of this patient
toiler with a spade. He was a prophetic figure in the most picturesque and
sterile land of the stockman. "Here within twenty miles of this peaceful
fruit-grower," he said, "is the crowning infamy of the free-booting
cowboy. My God, what a nation we are!"
He wondered, as he rode on, whether the papers of the State would make a
jest of _this_ deed. "Will this be made the theme for caustic comment in
the Eastern press for a day, and then be forgotten?"
As his hot blood cooled he lost faith in even this sacrifice. Could
anything change the leopard West into the tameness and serenity of the ox?
"No," he decided, "nothing but death will do that. This generation, these
fierce and bloody hearts, must die; only in that way can the tradition of
violence be overcome and a new State reared."
At the foot of the toilsome, upward-winding trail he dismounted, and led
his weary horse. Over his head, and about half-way to the first hilltop,
lay a roof of fleecy vapor, faint purple in color and seamless in texture.
Through this he must pass, and it symbolized to him the line of
demarkation between the plain and the mountain, between order and
violence.
Again he rose above it, to find it a fantastic sea lit by the sun, and
glowing with pink and gold and violet. Celestial in its ethereal beauty,
it threw into still more appalling shadow the smoking altar of passion
toward which he spurred. From moment to moment the surface rose and
shifted in swift, tumultuous, yet soundless waves, breaking round
pine-clad promontories in shimmering breakers, faint, and far, and
serene.
Public-domain text, read in full here on John Shaqi.
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