Americans -- Philippines -- Fiction; Short stories
the dogs, the curs of the camp, snarling and laughing and gurgling like
a pack of hyenas.
To this preoccupation of man and dog may be ascribed the ensuing
catastrophe. For suddenly, close, so close that the vibration of it
could be felt, but muffled in the impenetrability of the jungle, a shot
rang out. This was followed by a crepitating volley; a buzz of lead
passed overhead. Silently, with a minimum of movement, the ladrones, as
if at a preconceived signal, slid across the clearing and into the
wilderness beyond. Just at that psychological moment, the widow caught
up with Gato. Calmly, dexterously, as one spanks a child, she upset him,
face down, and resolutely sat upon him. Then, readjusting her skirts
about her limbs and her spectacles upon her nose, she grimly waited.
Shouts came to her ears, a hewing and hacking of bushes, a crackling of
bamboo. Vague brown spots appeared against the metallic green foliage;
they massed, detached themselves and burst into the clearing--a
detachment of constabulary. At their head, charging furiously, was a
lieutenant, slender and boyish, in accoutrement ridiculously new. He was
enjoying himself immensely. A fine ardour was in his face; his cap was
off, his hair streaming in the wind; he held a naked sword extended up
and forward in statuesque gesture. Across the clearing he came, straight
as a bee; his eyes flashing, his nostrils distended, all a-thrill with
military glory.
And suddenly he was nose to nose with the widow, who had slowly risen
and now confronted him majestically, her foot upon the luckless Papa
Gato. An extraordinary change came over the young warrior. His martial
excitement, his keen zest, his bravado collapsed; his sword dropped till
its point touched the ground; his flaming uniform took on cringing
folds.
"Mamma!" he cried, a little wistfully.
"Boy," shouted the widow; "boy, what are you doing here! Quick, give me
this"--she snatched the sword from his hand--"that also"--she whisked
the revolver out of his holster. "Oh, that child, that child," she
wailed. Out in the jungle there were cries, hollow and muffled in the
crape of vegetation; a few shots rang, dull as if underground. Three or
four bullets whirred overhead.
"Down! Down!" cried the widow; "down, boy"--and her iron claw sank into
his shoulder, bearing him down, and unresistingly he fell upon the
luckless Gato. "That's right, sit on him," the widow whispered hoarsely;
"and don't you move, don't you budge. My God, if only I can get you out
of this----" She turned toward the jungle, straight to her full height,
a strange, inflexible figure with the sabre in her right hand, the
revolver in her left; a heroic figure, really, keeping guard there upon
her boy, her son, her baby, her treasure in life; the object upon which
had flowed all her wealth of love, of tenderness, leaving her, soul and
body, arid and sterile and bitter and awesome.
Public-domain text, read in full here on John Shaqi.
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