Americans -- Philippines -- Fiction; Short stories
The typhoon of the Philippines is not to be disdained. A picture formed
in my mind of falling trees, rent bridges, melted roads. I stopped,
hesitating, looked up at the blue sky above, listened to the regular
breath of the wind. "Nonsense!" I said, and just then a sudden gust
screeched overhead; the coconuts bent in half circles, snapped back,
bent again with weird elasticity. Before my mind could fairly seize
them, before the impression of them could be more than hazy and faint as
those of a dream, these manifestations ceased. The wind fell dead, the
trees came back to equilibrium. A heavy torpor descended upon the land.
"I'll come in, Marietta," I decided, "and you'll tell me more of the
Negritos in the hills."
She did not answer, but waited for me at the head of the bamboo
ladder--a weird, dried-up mummy of a woman, with teeth corroded by the
betel-nut, and eyes that flashed hard beneath the heavy, yellow folds of
the lids--an old witch, fit for broomstick rides and the nightmares of
children. Inside, I sat down upon the bench by the window while she
squatted upon the bamboo-strip floor, a big cheroot tied up with hemp
fibre in her mouth, a hollow coconut filled with tuba at her side. But
she did not speak. A strange taciturnity was upon her; she sat there
speechless, motionless, like some monstrous idol, her lids half-dropped
over eyes that showed opaque and dead.
"Well, Marietta," I said at length; "what about that coconut milk you
promised me?"
"Oh, señor, pardon me, pardon your servant. 'Tis the baguio. When I feel
the baguio coming I forget; I think of other days."
She half rose, then sank again upon her heels, her mind refusing to stay
with the present.
"For there were other days, señor," she said gently; "ah, yes, far other
days!"
She rocked herself slowly to and fro, her face in her hands. Outside,
the heavy torpor was suddenly torn by a shriek in the upper layers of
air. A few great drops pattered resoundingly upon the nipa roof, then
heat and silence reigned again, with the torment of the woman's soul.
Curiously I looked upon the old crone. She sat there rocking gently from
side to side, her lips bubbling in meaningless mutters. Then her yellow
paw crept down her arid bosom, fumbled beneath her camisa, and
reappeared with something in it that flashed gold. She pressed it to her
withered lips--and I saw that it was a locket--pressed it to her
withered lips with a singular intensity of passion; pressed it there
again and again--and that sudden flash of something long gone, of a
spark, dying, perhaps, but which in that ruined body should have been
long dead, moved me with uneasiness, as if I were watching, and a party
to, a sacrilege.
But she dropped her hands upon her lap in a gesture of infinite
hopelessness and she began to speak, to speak in a queer sing-song, a
monotonous chant, like some religious recital of her Malay ancestors
suddenly coming back to her through the ages.
Public-domain text, read in full here on John Shaqi.
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