Americans -- Philippines -- Fiction; Short stories
"Oh, Lordy," muttered the Maestro. He looked down half-angrily. Two
brown eyes and an uplifted nose were turned up toward him in absolute,
admiring confidence, and his annoyance flew away as by enchantment. But
he could not bear to disillusion the child with further elucidation, so
it was many days before Carnota ceased mixing his pronouns with calm
unconcern.
* * * * *
He forced his thoughts onward to later and less pleasant memories.
First had come the cattle-pest, which had killed all the carabaos; then
the surra, which had killed all the horses; then the drought, just at
palay-sowing, baking the ground so hard that the wooden plows made only
derisive scratches. Now, it is true, the cholera was coming down the
coast to restore the balance. But it should have come first. The palay
crop had failed and there was nothing to eat.
There had been little to eat for weeks, and the children had begun to
droop and wither. Every morning the Maestro cursed under his breath as
he looked upon his waning audience. He could do little more than swear,
for it would have taken a hundred times his salary to feed them all, and
half of that went home religiously every month to a younger brother who
was playing end on the Yale team. So, not being able to help them all,
he had come to the determination to feed none. Which did not prevent him
from smuggling little Carnota into his house every morning, to send him
forth again with grains of mush sticking to his nose.
But this did not stop Carnota's head from sinking daily deeper between
his shoulders nor the peculiar uncertainty of movements to gain and gain
on him till, sometimes, when walking, he would fall suddenly without
cause, as if he had stepped into a hole.
The attendance dropped and dropped, and the Maestro did not like to look
at his reports. At last, one morning, Carnota himself failed to come to
school. He did not come the next day, nor the next. The Maestro went to
the tumble-down nipa shack by the river. He found the boy lying on a
mat, on the bamboo floor. He could not move.
"Yiss, I ssee dde hhett," he murmured when the Maestro asked him how he
felt.
The Maestro went to see the Post-Surgeon. But the Post-Surgeon had been
in the Philippines four years. That is, his ideal of life now was to
slop about his room all day in a kimona, smoking cigarette after
cigarette and drinking whiskey-and-soda after whiskey-and-soda. To go
out and see a sick child, especially when that sick child happened to
have a brown skin, demanded an effort absolutely colossal for the
corroded shreds of his moral strength. It took several days of begging,
remonstrance, appeal, almost threats to galvanize the dead fibres. At
last the Doctor slipped into a khaki and walked a hundred yards with the
Maestro to the hut by the river.
He examined the boy with a vague, returning ghost of professional
interest.
"Curvature of the spine," he said at length.
"No cure?" asked the Maestro.
Public-domain text, read in full here on John Shaqi.
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