Americans -- Philippines -- Fiction; Short stories
She yet saw him sometimes. Out of the obscure chaos he emerged, a vague
shadow; behind the vitrious sheet of waters he passed, wrapped in a
great cape, erect, immovable upon the horse, struggling up to its knees
in mud, the heavy flaps of his sombrero down over his face, leaving to
view but the hatchet-carved chin. She knew now where he had been that
Sunday. A discharged negro soldier had been terrorising a little barrio
to the south. The Maestro had ridden there and going directly to the
bully, had disarmed him and ordered him out of the district.
And now, up in the hills, but daily nearer to the coast towns, a band of
tulisanes were committing depredations. Barrios were burned;
_principales_ suspected of giving information to the authorities were
tortured. And it was said that a negro renegade was the leader of the
band.
He was present to her in ways other than these shadowy apparitions. One
day men had placed upon her nipa roof a sheeting of zinc; she found
later that the material came from the ruined convento of Cantalacan. She
felt about her a fostering care, immense, enveloping like the Rains,
mysterious, impalpable like them. But it was impersonal, far, cold--like
the Justice of God. It left her very lonely.
One morning at sun-up he rode into the pueblo at the head of a dozen
men. By their uniforms, their rusty Remingtons, she knew them as the
municipal police of Cantalacan. For a week there had been a respite of
the rains and the roads were fairly firm; but the outfit came in
mud-crusted to the eyes, the horses staggering and dripping foam. They
clattered rapidly past the house and stopped before the Casa Popular.
The Maestro dismounted, but she noticed that before he allowed the
others to do so, he sent a man ahead to the outskirts of the pueblo on
the side opposite to that by which they had come; she could see him,
sharply delineated against the rising sun, scanning the horizon. The
Maestro sprang up the bamboo steps of the municipal house; his voice
rang sharp and incisive. There was a running to and fro of muchachos,
and man after man, the town police assembled. She had noted before their
slovenliness, but now, as they mingled with the men of Cantalacan, this
appeared emphasised. There was something brisk and efficient about
everything that came from Cantalacan, it seemed. The Maestro reappeared
and mounted. He placed half of his men in the van, the other half in the
rear, the Barang contingent being framed between, and putting himself at
the head started out of the pueblo by the road opposite to that by which
he had come in. She saw him for a while, pliant in the saddle, leaning
forward, pressing the pace, the rest of the troop pell-mell after him,
rising and falling one after the other, their broad hats flapping.
Suddenly he seemed to go through the crust of the earth; man after man
disappeared after him; the last laggard dropped out of sight. They were
crossing the river. They reappeared, toiling slowly up the farther bank,
Public-domain text, read in full here on John Shaqi.
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