Americans -- Philippines -- Fiction; Short stories
The Maestro seized a cap upon the table, plumped it upon his head, and
hop-skipped-jumped down the stairs. "Action, action," his whole being
cried. He glanced into the girls' schoolhouse as he passed. The Second
Maestra was sitting apathetically in a chair, her baby at her breast,
and the little girls, tight up against each other on their high benches,
their hands folded upon their bright patadyons, looked like some little
strawberry-hued birds that he had seen once in the window of an animal
store, a thousand on one perch. The silence, the inaction of the place
hurt him to the core, and the remark that suddenly ripped the somnolent
atmosphere was so electric that the Maestra sprang to her feet.
"Do you see dde hhett?" she said, lamely, pointing to a pear tree on the
chart.
But she might have saved herself the trouble. The head from which had
come the remark had disappeared from the door. The Maestro was already
fifty yards away, eating up the distance with long, nervous strides. He
enfiladed a lane, between fields of high sugar cane, and finally came
to the little plaza where throned the Ledesma nipa-mansion. The doors,
the shutters were closed tight, as if to shut out the pestilence, and
there was no sound, no movement, no sign of life. The Maestro looked
about him carefully, then began to walk along the edge of the open
space, peering along the vistas between the rows of cane. Soon he came
upon the Maestra.
The first glance told him the magnitude of the task ahead; for the
little recess in the canes had all the signs of cool and determined
occupation. A red-and-white patate was spread upon the ground. On one of
the corners were carefully heaped a few of the Señorita's worldly
goods--a camphor-wood chest, the size of a doll's trunk; a piña camisa,
tied up in a bandana handkerchief; and another handkerchief bulging and
running out with a few handfuls of palay. Off the mat, on a little fire
of twigs, the breakfast rice was bubbling in a big black pot.
The Maestra was seated in the centre of the mat, her limbs drawn up
beneath her bright patadyon in a certain kittenish grace. She was in
morning négligé and her loose hair fell down over her shoulders in a
glistening black cascade. As the Maestro approached her from behind, he
heard a rustling of paper, and, looking down over her head, he saw that
she was reading. The Maestro blushed, not at his indiscretion, but at
sight of big black lines announcing the name of the publication. The
Maestra was reading the _Hearth Companion_. With remorse, the Maestro
remembered how once, in the heat of his proselytism, he had recommended
to all his Filipino teachers to subscribe to American periodicals. It
was a bitter backward path that his mind was treading as he went further
into this affair, tracing back to his well-meant efforts so many
unexpected results.
"Good-morning, Miss de la Rama," he said, gravely.
Public-domain text, read in full here on John Shaqi.
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