Americans -- Philippines -- Fiction; Short stories
There was a scuffle in an obscure corner of the room; then, carried by
muchachos, there passed beneath the light a limp, dangling corpse. They
were not over-careful, the muchachos. Two were at the legs, two at the
arms, so that the head hung down, lamentable, with mouth open. They
crossed the room and vanished through a door into the rear apartment;
and our last glimpse was of the opalescent reflection of a lamp upon a
cranium astonishingly bald.
"Old man Dickson," somebody said, significantly; "paralysed, as usual."
"That man," said Courtland, with a vague gesture toward the door just
slammed; "that man is the victim of a most atrocious and absurd
tragedy."
And he told it to us thus:
* * * * *
I first knew him through his newspaper work. Every morning he shuffled
gently into my office and asked if there was anything new. He did this
with a want of assurance strange in a reporter, and yet not at all with
humility; but rather in a dreamy, detached manner, as if he really did
not care if there was anything new, and would probably not remember it
if there were; as if the thing of importance, after all, were the
internal problem upon which he was pondering, pondering with a discreet
intensity that left his arms to hang in uncouth limpness, his feet to
drag, his head to sink sideways toward his right shoulder, his whole
body to appear as if abandoned, utterly abandoned, of the spiritual
being--to hang, loose, limp, ungoverned, like a scarcrow which lives,
gesticulates, postures only with the caprices of the wind. His whole
body, I said; I should except the eyes. They were magnificent eyes,
large, limpid, serenely blue. They were not abandoned; they were fixed.
But it was not at anything outside. It was at something within. As you
sought them you became aware of that. You were not seen--you were not of
importance. The sun, the sky, men, women, were not seen--they were not
of importance. These eyes were looking inside. As you examined them, you
realised that it was the back of them that was turned toward you, the
reflective back wall of them, and that their working, searching,
penetrating part was turned inward, poring there in the shifting gloom
at--I don't know what vision.
Public-domain text, read in full here on John Shaqi.
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