Americans -- Philippines -- Fiction; Short stories
The Professor, standing beneath the centre candelabra, bent his head
paternally over his young wife. The light poured down upon that head.
And it was bald.
* * * * *
The muchacho, in a corner of the room, turned something with a sharp
click. The lights went out, and the gray pallor of dawn floated in
slowly by door and window. Courtland rose, walked to the rear door,
opened it. We followed.
He was asleep upon the table. He slept there, his hands upon his head,
his right cheek upon his arm. In the wan light his features showed
relaxed, in infinite lassitude, as those of a child after crying; his
mouth, a little open, let pass his breathing, equal and faint like a
babe's--and once in a while he sighed, a sigh not deep, not peevish, not
rebellious, but resigned, rather, patient, gently unhappy.
We left him there. It was the end; the gods had had their jest.
VIII
THE COMING OF THE MAESTRA
As the prao, its two wide outriggers spread out on each side like wings,
its sail rising above straight and stiff like a backfin, skimmed over
the whitecapped crests like a gigantic flying fish, the Maestro, his
white suit gleaming in the sun, stood at the peak, erect and tense as a
Viking of old. But he was madder than any Viking had ever been.
For three long days he had been on that prao, while it tacked and beat
against a monsoon that was southern, although, according to the dictates
of the almanac and the Maestro's own ardent desires, it should have been
northern. For three days, trying to make Ilo-Ilo, thirty miles across
the strait, the little craft, with its crew clinging like monkeys at the
ends of the outriggers, had darted right and left like a startled and
very dizzy gull, while from the rudimentary rudder, where sat the
Maestro, there poured forth a stream of most piratical objurgations.
Neither these spiritual pleas, however, nor the mad flurries of the
flat-bottomed boat had prevailed against the wind's blustering
stubbornness, and at length they had turned tail and run before it, and
now the Maestro was looking upon a golden strip of beach and a curtain
of coconut palms, behind which peeped the nipa roofs of his own little
pueblo. In a few minutes more the prao, balanced upon a white curling
swell, had slid its nose up upon the sand, and the Maestro, with a great
leap, found himself at the identical spot from which, three days before,
his heart a-pound with strange tumult, he had embarked, too impatient to
wait for the lazy little steamer which offered regular, if slow, passage
once a week.
"Damn!" said the Maestro, as his foot struck the sand. "Damn! a deuce of
a bridegroom I make, I do!"
Public-domain text, read in full here on John Shaqi.
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