Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other StoriesOuida
General
Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories
Ouida
Great Britain -- Social life and customs -- 19th century -- Fiction
As I spoke--holding the sketch up where the light from the room within
fell on what I had no doubt was a likeness of some fair face that had
beguiled his time in days gone by, a souvenir of one of his loves more
lasting than souvenirs of such episodes in one's life often are, if
merely trusted to that inconstant capricieuse, Memory,--I might have hit
him with a bullet rather than asked him about a mere etude à deux
crayons, for he shuddered, and drank off some white Hermitage quickly.
"I had forgotten that was in the portfolio," he said, hurriedly, as he
took it from me and put it behind him, with its face against the wall,
as though it had been the sketch of a Medusa.
"What do you take it away for? I had not half done looking at it. Who is
the original?"
"One I don't care to mention."
"Because?"
"Because the sight of that picture gives me a twinge of what I ought to
be hardened against--regret."
"Regret! Is any woman worth that?"
"She was."
"I don't believe it; and I fancied you and I thought alike on such
points. Of all the women for whom we feel twinges of conscience or
self-reproach in melancholy moments, how many _loved us_? Moralists and
poets sentimentalize over it, and make it a stalking-horse whereby to
magnify our sins and consign us more utterly to perdition, while they do
for themselves a little bit of poetic morality cheaply; but in reality
there are uncommonly few women who can love, to begin with, and in the
second, vanity, avarice, jealousy, desires for pretty toilettes, one or
other, or all combined, have quite as much to do with their 'sacrifice'
for us as anything."
"Quite true; but--there are women and women, perhaps, and it was not of
that sort of regret that I spoke."
"Of what sort, then?"
He made me no reply: he broke the ash off his Manilla, and smoked
silently some moments, leaning over the balcony and watching the
monotonous flow of the Arno, with deeper gloom on his face than I
remembered to have seen there any time before. I was sorry I had chanced
to light upon a sketch that had brought him back such painful
recollections of whatever kind they might be, and I smoked too, sending
the perfumed tobacco out into the still sultry night that was brooding
over Florence.
"Of what sort?" said he, abruptly, after some minutes' pause. "Shall I
tell you? Then you can tell _me_ whether I was a fool who made one grand
mistake, or a sensible man of the world who kept himself from a grand
folly. I have been often in doubt myself."
Public-domain text, read in full here on John Shaqi.
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