Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other StoriesOuida
General
Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories
Ouida
Great Britain -- Social life and customs -- 19th century -- Fiction
"There was no answer, and I knocked a little louder, if possible, than
before. I was wet to the skin with that wretched storm, and swore not
mildly at the inhospitable roof that would not admit me under it. I
knocked again, inclined to pick up a piece of granite and beat the panel
in; and at last a face--an old woman's weather-beaten face, but with
black southern eyes that had lost little of their fire with age--looked
through a grating at me and asked me what I wanted.
"'I want shelter if you can give it me,' I answered her. 'I have lost
my way coming from Gavarnie, and am drenched through. I will pay you
liberally if you will give me an asylum till the weather clears.'
"Her eyes blazed like coals through the little grille.
"'M'sieu, we take no money here--have you mistaken it for an inn? Come
in if you want shelter, in Heaven's name! The Holy Virgin forbid we
should refuse refuge to any!'
"And she crossed herself and uttered some conjurations to Mary to
protect them from all wolves in sheep's clothing, and guard their
dwelling from all harm, by which I suppose she thought I spoke fairly
and looked harmless, but might possibly be a thief or an assassin, or
both in one. She unlocked the gate, and calling to a boy to take my
horse into a shed, admitted me under a covered passageway into the
house, which looked like part, and a very ruined part, too, of what had
probably been, in the times of Henri-Quatre and his grandfather, a
feudal chateâu fenced in by natural ramparts from the rocks that
surrounded it, shutting in the green slope on which it stood, with only
one egress, the path through which I had ascended, into the level plain
below. She marshalled me through this covered way into an interior
passage, dark and vaulted, cheerless enough, and opened a low oak door,
ushering me into a chamber, bare, gloomy, yet with something of lost
grandeur and past state lingering about its great hearth, its massive
walls, its stained windows, and its ragged tapestry hangings. The woman
went up to one of the windows and spoke with a gentleness to which I
should have never thought her voice could have been attuned with its
harsh patois.
"'Mon enfant, v'là un m'sieu étranger qui vient chercher un abri pour un
petit peu. Veux-tu lui parler?'
"The young girl she spoke to turned, rose, and, coming forward, bade me
welcome with the grace, simplicity, and the naïve freedom from
embarrassment of a child, looking up in my face with her soft clear
eyes. She was like----No matter! you have seen that crayon-head, it is
but a portrayal of a face whose expression Raphael and Sassoferrato
themselves would have failed to render in its earnest, innocent,
elevated regard. She was very young--
Standing with reluctant feet
Where the brook and river meet--
Womanhood and childhood fleet.
Public-domain text, read in full here on John Shaqi.
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