Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other StoriesOuida
General
Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories
Ouida
Great Britain -- Social life and customs -- 19th century -- Fiction
And her lover believed her: should his deity lie? He believed her! What
did he, fresh from the solitude of his monastery, gloomy and severe as
that of the Trappist abbey, with its perpetual silence, its lowered
glances, its shrouded faces, its ever-present "memento mori," know of
women's faith, of women's love, of the sense in which _they_ meant that
vow "for ever"? He believed her, and never asked what would be at the
end of a path strewn with such odorous flowers. Alone, it is true, in
moments when he paused to think, he stood aghast at the abyss into which
he had fallen, at the sin into which, a few months before, haughty and
stern in virtue against the temptation that had never entered his path,
he would have defied devils in legion to have lured him, yet into which
he had now plunged at the mere smile of a woman! Out of her presence,
out of her spells, standing by himself under the same skies that had
blooded over his days of peace in Languedoc, back on his heart, with a
sickening anguish, would come the weight of his sin; the burden of his
broken oaths, the scorch of that curse eternal which, by his creed, he
held drawn down on him here and hereafter; and Gaston de Launay would
struggle again against this idolatrous passion, which had come with its
fell delusion betwixt him and his God; struggle--vainly, idly--struggle,
only to hug closer the sin he loved while he loathed; only to drink
deeper of the draught whose voluptuous perfume was poison; only to
forget all, forsake all, dare all, at one whisper of her voice, one
glance of her eyes, one touch of the lips whose caress he held would be
bought by a curse through eternity.
Few women love aught "for ever," save, perchance, diamonds, lace, and
their own beauty, and Madame la Marquise was not one of those few;
certainly not--she had no desire to make herself singular in her
generation, and could set fashions much more likely to find disciples,
without reverting to anything so eccentric, plebeian, and out of date.
Love _one_ for ever! She would have thought it as terrible waste of her
fascinations, as for a jewel to shine in the solitude of its case,
looked on by only one pair of eyes, or for a priceless enamel, by
Petitot, to be only worn next the heart, shrouded away from the light of
day, hidden under the folds of linen and lace.
"Love one for ever?"--Madame la Marquise laughed at the thought, as she
stood dressed for a ball, after assisting at the representation of a
certain tragedy, called "Bérénice" (in which Mesdames Deshoulières and
De Sévigné, despite their esprit, alone of all Paris and the Court could
see no beauty), and glanced in the mirror at her radiant face, her
delicate skin, her raven curls, with their pendants shaking, her
snow-white arms, and her costly dress of the newest mode, its stomacher
gleaming one mass of gems. "Love one for ever? The droll idea! Is it
not enough that I have loved him once?"
Public-domain text, read in full here on John Shaqi.
Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories — John Shaqi
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