Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other StoriesOuida
General
Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories
Ouida
Great Britain -- Social life and customs -- 19th century -- Fiction
"There are chestnut horses and horse-chestnuts, chevaliers and
chevaliers d'industrie, rois and rois d'Yvetot, Carrutherses and Chandos
Cheveleys!" laughed Lady Cecil. "I understand, Lady Marabout. Il y a
femmes et femmes--men about town and men about town, I shall learn all
the classes and distinctions soon. But how is one to know the sheep that
may be let into the fold from the wolves in sheep's clothing, that must
be kept out of it? Your Ogre is really very distinguished-looking."
"Distinguished? Oh yes, my love; but the most distinguished men are the
most objectionable sometimes. I assure you, my dear Cecil, I have seen
an elder son whom sometimes I could hardly have told from his own valet,
and a younger of the same family with the style of a D'Orsay. Why, did I
not this very winter, when I went to stay at Rochdale, take Fitzbreguet
himself, whom I had not chanced to see since he was a child, for one of
the men out of livery, and bid him bring Bijou's basket out of the
carriage. I did indeed--_I_ who hate such mistakes more than any one!
And Lionel, his second brother, has the beauty of an Apollo and the _air
noble_ to perfection. One often sees it; it's through the doctrine of
compensation, I suppose, but it's very perplexing, and causes endless
_embrouillements_."
"When the mammas fall in love with Lord Fitz's coronet, and the
daughters with Lord Lionel's face, I suppose?" interpolated Lady Cecil.
"Exactly so, dear. As for knowing the sheep from the wolves, as you call
them," went on Lady Marabout, sorting her embroidery silks, "you may
very soon know more of Chandos Cheveley's class--(this Magenta braid is
good for nothing; it's a beautiful color, but it fades immediately)--you
meet them in the country at all fast houses, as they call them nowadays,
like the Amandines'; they are constantly invited, because they are so
amusing, or so dead a shot, or so good a whip, and live on their
invitations, because they have no _locale_ of their own. You see, all
the women worth nothing admire, and all the women worth anything shun,
them. They have a dozen accomplishments, and not a single reliable
quality; a hundred houses open to them, and not a shooting-box of their
own property or rental. You will meet this Chandos Cheveley everywhere,
for instance, as though he were somebody desirable. You will see him in
his club-window, as though he were born only to read the papers; in the
Ride, mounted on a much better animal than Fitzbreguet, though the one
pays treble the price he ought, and the other, I dare say, no price at
all; at Ascot, on Amandine's or Goodwood's drag, made as much of among
them all as if he were an heir-apparent to the throne; and yet, my love,
that man hasn't a penny, lives Heaven knows where, and how he gets money
to keep his cab and buy his gloves is, as I say, one of those mysteries
of settling days, whist-tables, periodical writing, Baden _coups de
bonheur_, and such-like fountains of such men's fortunes which we can
Public-domain text, read in full here on John Shaqi.
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