Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other StoriesOuida
General
Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories
Ouida
Great Britain -- Social life and customs -- 19th century -- Fiction
"May I have the honor of this valse with you?" was spoken in, though not
to, Lady Marabout's ear. It was a soft, a rich, a melodious voice
enough, and yet Lady Marabout would rather have heard the hiss of a
Cobra Capella, for the footmen _might_ have caught the serpent and
carried it off from Cecil Ormsby's vicinity, and she couldn't very well
tell them to rid the reception-chambers of Chandos Cheveley.
Lady Marabout vainly tried to catch Cecil's eye, and warn her of the
propriety of an utter and entire repudiation of the valse in question,
if there were no "engaged" producible to softly chill the hopes and
repulse the advances of the aspirant; but Lady Cecil's soul was
obstinately bent saltatory-wards; her chaperone's ocular telegram was
lost upon her, and only caught by the last person who should have seen
it, who read the message off the wires to his own amusement, but
naturally was not magnanimous enough to pass it on.
"I ought to have warned her never to dance with that detestable man. If
I could but have caught her eye even now!" thought Lady Marabout,
restlessly. The capella _would_ have been much the more endurable of the
two; the serpent couldn't have passed its arm round Rosediamond's
priceless daughter and whirled her down the ball-room to the music of
Coote and Timney's band, as Chandos Cheveley was now doing.
"Why did _you_ not ask her for that waltz, Philip?" cried the good lady,
almost petulantly.
Carruthers opened his eyes wide.
"My dear mother, you know I never dance! I come to balls to oblige my
hostesses and look at the women, but not to carry a seven-stone weight
of tulle illusion and white satin, going at express pace, with the
thermometer at 80 deg., and a dense crowd jostling one at every turn in
the circle. _Bien obligé!_ that's not my idea of pleasure; if it were
the Pyrrhic dance, now, or the Tarantella, or the Bolero, under a
Castilian chestnut-tree----"
"Hold your tongue! You might have danced for once, just to have kept her
from Chandos Cheveley."
"From the best waltzer in London? Not so selfish. Ask Amandine's wife if
women don't like to dance with that fellow!"
"I should be very sorry to mention his name to her, or any of her set,"
responded Lady Marabout, getting upon certain virtuous stilts of her
own, which she was given to mount on rare occasion and at distant
intervals, always finding them very uncomfortable and unsuitable
elevations, and being as glad to cast them off as a traveller to kick
off the _échasses_ he has had to strap on over the sandy plains of the
Landes.
Public-domain text, read in full here on John Shaqi.
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