Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other StoriesOuida
General
Cecil Castlemaine's Gage, Lady Marabout's Troubles, and Other Stories
Ouida
Great Britain -- Social life and customs -- 19th century -- Fiction
Cecil Ormsby lifted her head and looked across the table at her hostess,
and the steady gaze of those violet eyes, which were Rosediamond's
daughter's best weapons of war, so discomposed Lady Marabout, that she
forgot herself sufficiently to proffer Bijou a piece of bread, an
unparalleled insult, which that canine Sybarite did not forget all day
long.
"Not at home, sir," said Mason, as duly directed, when Cheveley's cab
pulled up, a week or two after the general order, at the door.
Cheveley smiled to himself as his gray had her head turned, and the
wheel grated off the trottoir, while he lifted his hat to Cecil Ormsby,
just visible between the amber curtains and above the balcony flowers of
one of the windows of the drawing-room--quite visible enough for her
return smile and bow to be seen in the street by Cheveley, in the room
by Lady Marabout.
"Some of Lady Tattersall's generalship!" he thought, as the gray trotted
out of the square. "Well! I have no business there. Cecil Ormsby is not
her Grace of Amandine, nor little Maréchale, and the good lady is quite
right to brand me 'dangerous' to her charge, and pronounce me
'inadmissible' to her footman. I've very little title to resent her
verdict."
"My dearest Cecil, whatever possessed you to bow to that man!" cried
Lady Marabout, in direst distress.
"Is it not customary to bow to one's acquaintances--I thought it was?"
asked Lady Cecil, with demure mischief.
"But, my dear, from a window!--and when Mason is saying we are not at
home!"
"That isn't _Mason's_ fib, or _Mason's_ fault, Lady Marabout!" suggested
Cecil, with wicked emphasis.
"There is no falsehood or fault at all anywhere--everybody knows well
enough what 'not at home' means," returned Lady Marabout, almost
pettishly.
"Oh yes," laughed the young lady, saucily. "It means 'I am at home and
sitting in my drawing room, but I shall not rise to receive you, because
you are not worth the trouble.' It's a polite cut direct, and a honeyed
rudeness--a bitter almond wrapped up in a sugar dragée, like a good many
other bonbons handed about in society."
"My dear Cecil, you have some very strange ideas; you will get called
satirical if you don't take care," said Lady Marabout, nervously.
Cecil Ormsby's tone worried her, and made her feel something as she felt
when she had a restive, half-broken pair of horses in her carriage, for
the direction of whose next plunge or next kick nobody could answer.
"And if I be--what then?"
"My dear child, you could not anyhow get a more disadvantageous
reputation! It may amuse gentlemen though it frightens half _them_; but
it offends all women irremediably. You see, there are so few whom it
doesn't hit somewhere," returned Lady Marabout, quite innocent of the
neat satire of her own last sentence.
Cecil Ormsby laughed, and threw herself down by her chaperone's side:
Public-domain text, read in full here on John Shaqi.
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