Cecilia; Or, Memoirs of an Heiress — Volume 1Burney, Fanny
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Cecilia; Or, Memoirs of an Heiress — Volume 1
Burney, Fanny
England -- Fiction; Inheritance and succession -- Fiction; Love stories; Young women -- Fiction
“O no! I am tired to death! tired of every thing! I would give the
universe for a disposition less difficult to please. Yet, after all,
what is there to give pleasure? When one has seen one thing, one has
seen every thing. O, 'tis heavy work! Don't you find it so, ma'am?”
This speech was ended with so violent a fit of yawning, that Cecilia
would not trouble herself to answer it: but her silence, as before,
passed wholly unnoticed, exciting neither question nor comment.
A long pause now succeeded, which he broke at last, by saying, as he
writhed himself about upon his seat, “These forms would be much more
agreeable if there were backs to them. 'Tis intolerable to be forced
to sit like a school-boy. The first study of life is ease. There is,
indeed, no other study that pays the trouble of attainment. Don't you
think so, ma'am?”
“But may not even that,” said Cecilia, “by so much study, become
labour?”
“I am vastly happy you think so.”
“Sir?”
“I beg your pardon, ma'am, but I thought you said--I really beg your
pardon, but I was thinking of something else.”
“You did very right, Sir,” said Cecilia, laughing, “for what I said by
no means merited any attention.”
“Will you do me the favour to repeat it?” cried he, taking out his glass
to examine some lady at a distance.
“O no,” said Cecilia, “that would be trying your patience too severely.”
“These glasses shew one nothing but defects,” said he; “I am sorry they
were ever invented. They are the ruin of all beauty; no complexion can
stand them. I believe that solo will never be over; I hate a solo; it
sinks, it depresses me intolerably.”
“You will presently, Sir,” said Cecilia, looking at the bill of the
concert, “have a full piece; and that, I hope, will revive you.”
“A full piece! oh insupportable! it stuns, it fatigues, it overpowers me
beyond endurance! no taste in it, no delicacy, no room for the smallest
feeling.”
“Perhaps, then, you are only fond of singing?”
“I should be, if I could hear it; but we are now so miserably off in
voices, that I hardly ever attempt to listen to a song, without fancying
myself deaf from the feebleness of the performers. I hate every thing
that requires attention. Nothing gives pleasure that does not force its
own way.”
“You only, then, like loud voices, and great powers?”
“O worse and worse!--no, nothing is so disgusting to me. All my
amazement is that these people think it worth while to give Concerts at
all; one is sick to death of music.”
“Nay,” cried Cecilia, “if it gives no pleasure, at least it takes none
away; for, far from being any impediment to conversation, I think every
body talks more during the performance than between the acts. And what
is there better you could substitute in its place?”
Cecilia, receiving no answer to this question, again looked round to see
if she had been heard; when she observed her new acquaintance, with a
very thoughtful air, had turned from her to fix his eyes upon the statue
of Britannia.
Public-domain text, read in full here on John Shaqi.
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