Cecilia; Or, Memoirs of an Heiress — Volume 1Burney, Fanny
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Cecilia; Or, Memoirs of an Heiress — Volume 1
Burney, Fanny
England -- Fiction; Inheritance and succession -- Fiction; Love stories; Young women -- Fiction
“Yet how,” cried Cecilia, deeply touched by this reproof, “how could
I do otherwise! Could I see a man in the agonies of despair, hear him
first darkly hint his own destruction, and afterwards behold him
almost in the very act of suicide, the instrument of self-murder in his
desperate hand--and yet, though he put his life in my power, though he
told me I could preserve him, and told me he had no other reliance
or resource, could I leave him to his dreadful despondence, refuse my
assisting hand to raise him from perdition, and, to save what, after
all, I am well able to spare, suffer a fellow-creature, who flung
himself upon my mercy, to offer up his last accounts with an action
blacker than any which had preceded it?--No, I cannot repent what I have
done, though I lament, indeed, that the object was not more deserving.”
“Your representation,” said Mr Monckton, “like every thing else that I
ever heard you utter, breathes nothing but benevolence and goodness:
but your pity has been abused, and your understanding imposed upon. Mr
Harrel had no intention to destroy himself; the whole was an infamous
trick, which, had not your generosity been too well known, would never
have been played.”
“I cannot think quite so ill of him,” said Cecilia, “nor for the world
would I have risked my own future reproaches by trusting to such a
suspicion, which, had it proved wrong, and had Mr Harrel, upon my
refusal committed the fatal deed, would have made his murder upon my
own conscience rest for ever! surely the experiment would have been too
hazardous, when the consequence had all my future peace in its power.
“It is impossible not to revere your scruples,” said Mr Monckton, “even
while I consider them as causeless; for causeless they undoubtedly were:
the man who could act so atrocious a part, who could so scandalously
pillage a young lady who was his guest and his ward, take advantage of
her temper for the plunder of her fortune, and extort her compliance by
the basest and most dishonourable arts, meant only to terrify her into
compliance, for he can be nothing less than a downright and thorough
scoundrel, capable of every species of mean villainy.”
He then protested he would at least acquaint her other guardians with
what had passed, whose business it would be to enquire if there was any
chance of redress.
Cecilia, however, had not much trouble in combating this proposal; for
though her objections, which were merely those of punctilious honour and
delicacy, weighed nothing with a man who regarded them as absurdities,
yet his own apprehensions of appearing too officious in her affairs,
forced him, after a little deliberation, to give up the design.
“Besides,” said Cecilia, “as I have his bond for what I have parted
with, I have, at least, no right to complain, unless, after he receives
his rents, he refuses to pay me.”
Public-domain text, read in full here on John Shaqi.
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