Cecilia; Or, Memoirs of an Heiress — Volume 1Burney, Fanny
General
Cecilia; Or, Memoirs of an Heiress — Volume 1
Burney, Fanny
England -- Fiction; Inheritance and succession -- Fiction; Love stories; Young women -- Fiction
“But how has Mr Delvile offended you, that with him only you seem to
have no commerce or communication?”
“Mr Delvile!” repeated Cecilia, still more surprised, “are you also
acquainted with Mr Delvile?”
“He is certainly a man of fashion,” continued the domino, “and he
is also a man of honour; surely, then, he would be more pleasant for
confidence and consultation than one whose only notion of happiness
is money, whose only idea of excellence is avarice, and whose
only conception of sense is distrust!” Here a violent outcry again
interrupted their conversation; but not till Cecilia had satisfied her
doubts concerning the white domino, by conjecturing he was Mr Belfield,
who might easily, at the house of Mr Monckton, have gathered the little
circumstances of her situation to which he alluded, and whose size and
figure exactly resembled those of her new acquaintance.
The author of the former disturbance was now the occasion of the
present: the fiend, having vainly traversed the room in search of
Cecilia, stumbled accidentally upon Harlequin, before he was freed from
the relicks of his own mischief; and unable to resist the temptation
of opportunity and the impulse of revenge, he gave vent to the wrath so
often excited by the blunders, forwardness, and tricks of Morrice, and
inflicted upon him, with his own wooden sword, which he seized for that
purpose, a chastisement the most serious and severe.
Poor Harlequin, unable to imagine any reason for this violent attack,
and already cut with the glass, and bruised with the fall, spared not
his lungs in making known his disapprobation of such treatment: but the
fiend, regardless either of his complaints or his resistance, forbore
not to belabour him till compelled by the entrance of people with
lights. And then, after artfully playing sundry antics under pretence of
still supporting his character, with a motion too sudden for prevention,
and too rapid for pursuit, he escaped out of the room, and hurrying down
stairs, threw himself into an hackney chair, which conveyed him to a
place where he privately changed his dress before he returned home,
bitterly repenting the experiment he had made, and conscious too late
that, had he appeared in a character he might have avowed, he could,
without impropriety, have attended Cecilia the whole evening. But
such is deservedly the frequent fate of cunning, which, while it plots
surprise and detection of others, commonly overshoots its mark, and ends
in its own disgrace.
The introduction of the lights now making manifest the confusion which
the frolic of Harlequin had occasioned, he was seized with such a dread
of the resentment of Mr Harrel, that, forgetting blows, bruises, and
wounds, not one of which were so frightful to him as reproof, he made
the last exhibition of his agility by an abrupt and hasty retreat.
He had, however, no reason for apprehension, since, in every thing that
regarded expence, Mr Harrel had no feeling, and his lady had no thought.
Public-domain text, read in full here on John Shaqi.
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