Cecilia; Or, Memoirs of an Heiress — Volume 1Burney, Fanny
General
Cecilia; Or, Memoirs of an Heiress — Volume 1
Burney, Fanny
England -- Fiction; Inheritance and succession -- Fiction; Love stories; Young women -- Fiction
At length she resolved to make an effort for entertainment in another
way, and since the expectations which brought her to the Opera were
destroyed, to try by listening to her fair neighbours, whether those who
occasioned her disappointment could make her any amends.
For this purpose she turned to them wholly; yet was at first in no
little perplexity to understand what was going forward, since so
universal was the eagerness for talking, and so insurmountable the
antipathy to listening, that every one seemed to have her wishes bounded
by a continual utterance of words, without waiting for any answer, or
scarce even desiring to be heard.
But when, somewhat more used to their dialect and manner, she began
better to comprehend their discourse, wretchedly indeed did it supply
to her the loss of the Opera. She heard nothing but descriptions of
trimmings, and complaints of hair-dressers, hints of conquest that
teemed with vanity, and histories of engagements which were inflated
with exultation.
At the end of the act, by the crowding forward of the gentlemen to
see the dance, Mrs Harrel had an opportunity of making room for her by
herself, and she had then some reason to expect hearing the rest of the
Opera in peace, for the company before her, consisting entirely of young
men, seemed, even during the dance, fearful of speaking, lest their
attention should be drawn for a moment from the stage.
But to her infinite surprize, no sooner was the second act begun, than
their attention ended! they turned from the performers to each other,
and entered into a whispering but gay conversation, which, though not
loud enough to disturb the audience in general, kept in the ears of
their neighbours a buzzing which interrupted all pleasure from the
representation. Of this effect of their gaiety it seemed uncertain
whether they were conscious, but very evident that they were totally
careless.
The desperate resource which she had tried during the first act, of
seeking entertainment from the very conversation which prevented her
enjoying it, was not now even in her power: for these gentlemen, though
as negligent as the young ladies had been whom they disturbed, were much
more cautious whom they instructed: their language was ambiguous, and
their terms, to Cecilia, were unintelligible: their subjects,
indeed, required some discretion, being nothing less than a ludicrous
calculation of the age and duration of jointured widows, and of the
chances and expectations of unmarried young ladies.
But what more even than their talking provoked her, was finding that the
moment the act was over, when she cared not if their vociferation had
been incessant, one of them called out, “Come, be quiet, the dance is
begun;” and then they were again all silent attention!
Public-domain text, read in full here on John Shaqi.
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