Among the crowd of lady travellers to whom this nineteenth century has given birth, the able and accomplished Frenchwoman, so widely known by her pseudonym of Madame Leonie d'Aunet, merits a passing allusion. Remove from her the mask she is pleased to assume before the public, and she stands revealed as Madame Biard, the wife of the great humoristic painter, whose "Sequel of a Masquerade," "Family Concert," "Combat with Polar Bears," and other pictures, are not less highly esteemed by English than by French connoisseurs. Born about 1820, she is twenty years younger than her husband, whom, in 1845, she accompanied in his excursion to Spitzbergen; an excursion which opened with, by way of prologue, a rapid tour through Belgium, Holland, Sweden, and Norway. Of the tour and the excursion she has published a brilliant narrative, which it is impossible to read without pleasure, so polished is the style, and so sharply defined are the descriptions. Her literary skill gives her an advantage over the great majority of female travellers, whose diaries and journals, from want of it, are often bald, colourless, and diffuse. On the other hand, she is deficient in sympathy; she judges rather with the intellect than with the heart, which is at least as necessary to the formation of a fair and intelligent opinion. Her mind, however, is so keen and so incisive, so prompt to seize the most curious facts, so apt in discovering characteristic details, that even when she speaks of places and peoples with whom we are all familiar, she compels us to listen, and irresistibly holds our attention. It has been said that in some respects her manner is that of the elder Dumas, but while she is more honest and less given to exaggeration she does not rise to the same literary standard. The famous author of "Anthony" is still first master in the art, more difficult than the world in general believes it to be, of recording the experiences of travel; he is a master in it, because he does not make the attempt, which must always be unsuccessful, of minutely recording every particular that comes under a traveller's notice, and because he is gifted beyond ordinary measure with the art and _verve_ of the _raconteur_. Persons and situations he knows how to group in the most effective manner; incidents assume their most dramatic form; scenes are worked up so as to produce a definite impression on the reader's mind.