In large serpentine curves the road wound through a wood of small
beech trees--so small that in the November dishevelment the
plantations were like brushwood; and lying behind the wind-swept
opening were gravel walks, and the green spaces of the cricket field
with a solitary divine reading his breviary. The drive turned and
turned again in great sloping curves; more divines were passed, and
then there came a terrace with a balustrade and a view of the open
country. The high red walls of the college faced bleak terraces: a
square tower squatted in the middle of the building, and out of it
rose the octagon of the bell-tower, and in the tower wall was the
great oak door studded with great nails.
'How Birmingham the whole place does look,' thought Mr. Hare, as he
laid his hand on an imitation mediaeval bell-pull.
'Is Mr. John Norton at home?' he asked when the servant came. 'Will
you give him my card, and say that I should like to see him.'
On entering, Mr. Hare found himself in a tiled hall, around which was
built a staircase in varnished oak. There was a quadrangle, and from
three sides latticed windows looked on greensward; on the fourth there
was an open corridor, with arches to imitate a cloister. All was
strong and barren, and only about the varnished staircase was there
any sign of comfort. There the ceiling was panelled in oak; and the
banisters, the cocoa-nut matting, the bit of stained glass, and the
religious prints, suggested a mock air of hieratic dignity. And the
room Mr. Hare was shown into continued this impression. Cabinets in
carved oak harmonised with high-backed chairs glowing with red Utrecht
velvet, and a massive table, on which lay a folio edition of St.
Augustine's _City of God_ and the _Epistolae Consolitoriae_ of St.
Jerome.
Public-domain text, read in full here on John Shaqi.
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