The transparent green of the limes shivered, the young rooks cawed feebly, and the birds flew out of and nestled with amorous wings in the golden meadow. Kitty had taken off her straw hat, the sunlight caressed the delicate plenitudes of the bent neck, the delicate plenitudes bound with white cambric, cambric swelling gently over the bosom into the narrow of the waist, cambric fluting to the little wrist, reedy, translucid hands; cambric falling outwards, and flowing like a great white flower over the greensward, over the mauve stocking, and the little shoe set firmly. The ear like a rose leaf; a fluff of light hair trembling on the curving nape, and the head crowned with thick brown gold. And her pale marmoreal eyes were haunted by a yearning look which he had always loved, and which he had hitherto only found in some beautiful relics of antiquity. She seemed to him purged, as a Greek statue, of all life's grossness; and as the women of Botticelli and Mantegna she seemed to him to live in a long afternoon of unchanging aspiration. And it seemed to him that he thought of her as impersonally as he thought of these women, and the fact that she participated in the life of the flesh neither concerned him nor did it matter. That she lived in the flesh instead of in marble was an accident. He smiled at the paradox, for he had recovered from the fears of overnight and was certain that even the longing to strain her in his arms was only part of the impulse which compels our lips to the rose, which buries our hands in the earth when we lie at length, which fills our souls with longing for white peaks and valleys when the great clouds tower and shine. And that evening, as he sat in his study, his thoughts suddenly said: 'She is the symbol of my inner life.' Surprised and perplexed, he sought the meaning of the words. He was forced to admit that her beauty had penetrated his soul. But was it not natural for him to admire all beautiful things, especially things on a certain plane of idea? He had admired other women: in what then did his admiration for this woman differ from that, which others had drawn from him? In his admiration for other women there had always been a sense of repulsion; this feeling of repulsion seemed to be absent from his admiration for Kitty.... He hardly perceived any sex in her; she was sexless as a work of art, as the women of the first Italian painters, as some Greek statues.