Celtic art in Pagan and Christian timesAllen, J. Romilly (John Romilly)
Philosophy
Celtic art in Pagan and Christian times
Allen, J. Romilly (John Romilly)
Art, Celtic
[Illustration: S-SHAPED ENAMELLED BRONZE FIBULA, LOCALITY UNKNOWN; NOW
IN THE BRITISH MUSEUM
SCALE 1/1 LINEAR]
[Illustration: S-SHAPED FIBULA OF ENAMELLED BRONZE, FROM NORTON, E.
RIDING OF YORKSHIRE; NOW IN THE BRITISH MUSEUM
SCALE 1/1 LINEAR]
Although the safety-pin type of fibula was, in its earlier stages, made
out of a single piece of wire, it may be considered to consist of four
different parts, each of which performs a function of its own, namely,
(1) the head, containing the spring or hinge; (2) the tail, containing
the catch, or locking apparatus; (3) the body or framework, connecting
the head with the tail; and (4) the pin, moving on a hinge or spring at
one end and with the pointed end fitting into the catch. In all fibulæ
derived from the safety-pin the pin is straight and the body bent into
a more or less arched shape, like a bow. An infinite variety of forms
were produced (1) by increasing the number of coils in the spring and
their size; (2) by expanding the tail end into a thin triangular plate;
and (3) by increasing the thickness of the body, or by making a coil in
the middle of its length to act as a secondary spring. Much the most
important modifications, however, in the safety-pin brooches were those
which gradually led up to the harp-shaped, T-shaped, and cruciform
fibulæ of the Romano-British period. Dr. Arthur J. Evans, in his paper
in the _Archæologia_ (vol. lv., p. 179) on “Two Fibulæ of Celtic Fabric
from Æsica,” has traced the evolution of the harp-shaped fibula from
the bow-shaped fibula in a most interesting way. The different stages
in the process appear to have been as follows:—
(1) The tail end of the fibula was extended and bent backwards so as
to make an =S=-shaped curve with the bow; (2) the retroflected end of
the tail was fixed to the middle of the convex side of the bow by means
of a small collar, made in a separate piece; (3) the whole of the back
was formed out of one piece of metal, with the collar surviving as a
mere ornament; and (4) the triangular opening at the tail, bounded by
the retroflected end, part of the bow, and the catch for the point of
the pin, was filled in solid with a thin plate. It will be noticed
that during this process of evolution the extended and retroflected
end of the tail has become part of the continuous curve of the convex
side of the bow, whilst what was previously one-half of the outside of
the bow is now on the inside of the triangular plate at the tail end.
This, together with the expansion of the head to suit the increased
number of coils in the spring, produced the characteristic harp-shape
of the Romano-British fibula, in many of which the knob ornament in the
middle of the back is the last survival of the collar for fixing the
retroflected end of the tail in its place.
Public-domain text, read in full here on John Shaqi.
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