Celtic art in Pagan and Christian timesAllen, J. Romilly (John Romilly)
Philosophy
Celtic art in Pagan and Christian times
Allen, J. Romilly (John Romilly)
Art, Celtic
A full account of the find is given in E. Hawkins’ “Notice of a
remarkable collection of ornaments of the Roman period, connected with
the worship of the Deæ Matres, and recently purchased for the British
Museum” in the _Archæological Journal_ (vol. viii., p. 35).
[Illustration: One of a pair of silver-gilt Fibulæ found in
Northumberland, with Denarius of Antoninus Pius (A.D. 139)
Drawn by C. Praetorius]
We may here call attention to the intensely Celtic character of the
fibulæ just described. The wearing of brooches in pairs with a chain
attachment was a Celtic and not a Roman custom, as has already been
pointed out in a previous volume of _The Reliquary_ (for 1895, p. 157).
A pair of bronze fibulæ, of the same kind as the one from the Warren,
Folkestone, fastened together by a double chain, was found in one of
the Gaulish cemeteries in the Department of Marne[204] in France, and
is now to be seen in the museum of St. Germain, near Paris. It may,
therefore, be fairly assumed that all the fibulæ found in this country
with chains attached to them or with loops for a chain at the top are
more Celtic than Roman.
[204] Engraved in the _Dictionnaire Archéologique de la Gaule_.
Other examples from the cemeteries of Somme-Bionne, Courtois,
Bussy-le-Château, and Sommesous in the Department of the Marne, are
given in the _Album_ accompanying L. Morel’s _La Champagne souterraine_
(pls. 13, 29, 34, and 40).
Amongst the Late-Celtic antiquities in the British Museum are three
specimens which illustrate the evolution of the harp-shaped fibula very
well. One ornamented with a coral boss and gold stud, probably from the
Marne district, was presented by the late Sir A. W. Franks; another
came from a chalk pit near Walmer, Kent; and the third was found at
Clogher, Co. Tyrone.
Broadly speaking, it may be said that the safety-pin type of fibula
made in one piece is earlier in date than the Roman occupation of
Britain, and the specimens found in this country are obviously either
imported from abroad or copied from foreign originals, such as those
found at La Tène, in Switzerland, and in the Champagne district of
France. The fibula in use in Britain, after it became a province of the
Roman Empire, has a massive harp or bow-shaped back made in a separate
piece from the pin and spring. In the earlier, or La Tène type of the
fibula, the catch for the end of the pin forms one side of a triangular
opening, which, as we have already mentioned, is filled in with a thin
plate in the later or Roman Provincial fibula. There is also a sort of
transitional kind, with ornamental piercings in the plate.
There was yet another description of fibula belonging to the
Romano-British period, having a flat plate for the body in the shape of
a circular disc, or sometimes in the shape of a fish or animal.
The different classes of Late-Celtic fibulæ are given in the following
lists.
Public-domain text, read in full here on John Shaqi.
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