Celtic art in Pagan and Christian timesAllen, J. Romilly (John Romilly)
Philosophy
Celtic art in Pagan and Christian times
Allen, J. Romilly (John Romilly)
Art, Celtic
The collar must have had a joint of some kind, which is now missing;
and the fastening is a most peculiar one, consisting of a =T=-shaped
projection on the end, one-half of the tubular ring fitting into a
slot in the end of the other half of the ring. The locking is effected
by giving the slotted end a half turn after the =T=-shaped projection
has been inserted. The whole of the exterior surface of the tube is
decorated with long sweeping curves, narrow in the middle and with
trumpet-shaped expansions at each end, combined with helixes resembling
a snail-shell. The background is shaded with a sort of engine-turned
pattern of fine lines drawn with a pair of compasses. This remarkable
gold collar has been fully described and illustrated by Dr. Arthur
Evans in the _Archæologia_ (vol. lv., p. 397), and the facts relating
to its discovery are related in detail by Mr. R. Cochrane, F.S.A.,
in a paper in the _Journal of the Royal Society of Antiquaries of
Ireland_ (vol. xxxiii., p. 211). An account of the evidence given by
Mr. C. H. Read, F.S.A., before the committee appointed to inquire into
the respective rights of the British Museum and the Museum of the
Royal Irish Academy at Dublin to the possession of the hoard of gold
ornaments will be found in the report of the inquiry in the Blue Book
issued in 1899.
[Illustration: BRONZE BEADED TORQUE, FROM MOWROAD, NEAR ROCHDALE,
LANCASHIRE
SCALE ¾ LINEAR]
[Illustration: BRONZE COLLAR FROM WRAXHALL, SOMERSETSHIRE; NOW IN THE
BRISTOL MUSEUM]
A second collar of gold now in the Museum of the Royal Irish Academy in
Dublin, said to have come from Clonmacnois, King’s Co., is illustrated
in Sir W. Wilde’s _Catalogue of Antiquities of Gold in Museum R.I.A._,
p. 47. It consists of a plain hollow ring 5½ inches in diameter with
an ornamental bulb on each side, one of which seems to be made in
imitation of one of the glass beads of the period.
The Bristol Museum possesses a perfect flat-jointed bronze collar, of
a different kind from any of those just described, from Wraxhall,[212]
Somerset, and a portion of another from Llandyssyl,[213] Cardiganshire.
In the British Museum there are two similar collars, one from
Trenoweth,[214] Cornwall, and the other from the Isle of Portland,[215]
Dorsetshire. The Edinburgh Museum has also an exceedingly good example
from Stitchell,[216] Roxburghshire. All these collars are elaborately
ornamented in the Late-Celtic style. The date of the collar from the
Isle of Portland is approximately fixed by its having been associated
with a dish of Samian ware.
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