I perceive that I shall be accused of having rather the air, in what I
have said, of denying this and that gift to the Germans, and of
establishing our difference from them a little ungraciously and at their
expense. The truth is, few people have any real care to analyse closely
in their criticism; they merely employ criticism as a means for heaping
all praise on what they like, and all blame on what they dislike. Those
of us (and they are many) who owe a great debt of gratitude to the German
spirit and to German literature, do not like to be told of any powers
being lacking there; we are like the young ladies who think the hero of
their novel is only half a hero unless he has all perfections united in
him. But nature does not work, either in heroes or races, according to
the young ladies’ notion. We all are what we are, the hero and the great
nation are what they are, by our limitations as well as by our powers, by
lacking something as well as by possessing something. It is not always
gain to possess this or that gift, or loss to lack this or that gift.
Our great, our only first-rate body of contemporary poetry is the German;
the grand business of modern poetry,—a moral interpretation, from an
independent point of view, of man and the world,—it is only German
poetry, Goethe’s poetry, that has, since the Greeks, made much way with.
Campbell’s power of style, and the natural magic of Keats and Wordsworth,
and Byron’s Titanic personality, may be wanting to this poetry; but see
what it has accomplished without them! How much more than Campbell with
his power of style, and Keats and Wordsworth with their natural magic,
and Byron with his Titanic personality! Why, for the immense serious
task it had to perform, the steadiness of German poetry, its going near
the ground, its patient fidelity to nature, its using great plainness of
speech, poetical drawbacks in one point of view, were safeguards and
helps in another. The plainness and earnestness of the two lines I have
already quoted from Goethe:—
Es bildet ein Talent sich in der Stille,
Sich ein Character in dem Strom der Welt—
Public-domain text, read in full here on John Shaqi.
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