Ceremonies of the Pomo IndiansBarrett, S. A. (Samuel Alfred)
Religion
Ceremonies of the Pomo Indians
Barrett, S. A. (Samuel Alfred)
Pomo Indians -- Social life and customs; Pomo dance
The Gū´ksū doctor never spoke and never sang over his patients,
but constantly blew a double bone whistle in a characteristic way,
a very short blast followed by a very long one. Upon reaching the
patient, who might be either in or out of doors, he ran around him
several times. He then inserted the point of his staff under the neck
of the patient and made motions four times as if prying upwards. He
next inserted the staff under the shoulder and repeated this prying
motion four times. He did the same at the hips, and finally at the
knees.
He next tapped and pressed down with his staff; first upon the
forehead, then upon the chest, then upon the belly, and finally upon
the knees of the patient. After this he ran rapidly out of the village
and into the hills, where he stopped and turned his head toward the
left four times. He then disappeared and was supposed to have returned
to his supernatural abode in the south, carrying with him the ailment
of the patient.
While the above was the typical procedure of one of these doctors in
curing a patient, he had great latitude, and might, at his own option,
omit altogether certain of the above mentioned movements or use others
in their places. For instance, he might pry as above, or he might press
and pat the body of the patient. On the other hand, he might simply
pass his staff down over the body of the patient a number of times,
usually four or some multiple of four, or he might omit the use of the
staff entirely and "doctor" with his whistle only, in which case he
bent over or knelt beside the patient and blew his whistle over the
various parts of his body, particularly those recognized by the patient
as the seats of pain.
FOOTNOTES:
[22] U.S. Dept. of Interior, Contr. N.A. Ethn., III, 179-180, 1877.
[23] _Op. cit._, p. 194.
DANCES
The dances either formed integral parts of the above ceremonies or, as
stated, might be incidental and entirely unrelated to them. The word
for dance is xe in the Eastern Pomo dialect, and ke in that of the
Central and Northern Pomo. The following is a list of the Pomo dances:
gīlak ke
hōhō ke or hō´hōwa ke
cōkin ke
dūtūka ke
ya´ya ke
yō ke
matcō ke
lēhū´ye ke
kalī´matōtō ke or kalī´matautau ke
īwī ke
gūnū´la xe
he´lehela ke
da´ma ke
dja´ne ke
kara´iya ke
sawe´t ke
hī´wē ke
ī´dam ke
xo´ke
xahlū´īgak ke
gū´ksū ke
ma´ta ke
lo´le ke
mo´mīmomī ke
to´to ke
taūgū ke
badjū´ca ke
sīta´iya ke
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