Cerise: A Tale of the Last CenturyWhyte-Melville, G. J. (George John)
General
Cerise: A Tale of the Last Century
Whyte-Melville, G. J. (George John)
Historical fiction
“I knows the trim on ’em, I tell ye; I knows the trim on ’em. As I says
to the young chap now, I never found one yet as would steer kind in a
sea-way.”
Meanwhile, Célandine, moved by an impulse for which she could not
account, or perhaps dreading to analyse a sentiment that might after
all be founded on a fallacy, led the young seaman into a cool, quiet
room in a wooden house, on the shady side of the street, of which
the apparent mistress was a large bustling negress, with a numerous
family of jet-black children, swarming and crawling about the floor
like garden-snails after a shower. This proprietress seemed to hold
the Quadroon in considerable awe, and was delighted to bring the best
her house afforded for the entertainment of such visitors. Slap-jack,
accommodated with a deep measure of iced rum-and-water, lit his pipe,
played with the children, stared at his black hostess in unmitigated
astonishment, and prepared himself to answer the questions it was obvious
the Quadroon was burning to put.
Célandine hovered restlessly about the room, fixing her bright black
eyes upon the seaman with an eager, inquiring glance, that she withdrew
hastily when she thought herself observed, and thereby driving into
a state of abject terror the large sable hostess, whose pity for the
victim, as she believed him, at last overcame her fear of the Quadroon,
and impelled her to whisper in Slap-Jack’s ear—
“Obi-woman! _bruxa_,[4] buckra-massa, _bruxa_!
_Mefiez-vous!—Ojo-malo._[5] No drinkee for drunkee! Look out! _Gare!_” A
warning utterly incomprehensible to its object, who winked at her calmly
over his tumbler, while he drank with exceeding relish the friendly
mother’s health, and that of her thriving black progeny.
There is nothing like a woman’s tact to wind the secrets out of a man’s
bosom, gradually, insensibly, and by much the same smooth, delicate
process as the spinning of flax off a distaff. With a few observations
rather than questions, a few allusions artfully put, Célandine drew from
Slap-Jack an account of his early years, and an explanation, offered with
a certain pride, of the manner in which he became a seaman. When he told
her how he had made his escape while a mere child from his protector,
whom he described as “the chap wot wanted to bind him ’prentice to a
sawbones,” he was startled to see the Quadroon’s shining black eyes full
of tears. He consoled her in his own rough, good-humoured way.
“What odds did it make after all,” argued Slap-Jack, helping himself
liberally to the rum-and-water, “when I was out of my bed by sunrise and
down to the waterside to get aboard-ship in the British Channel, hours
afore he was up, and so Westward-ho! and away? Don’t ye take on about it.
A sailor I _would_ be, and a sailor I _am_. You ask the skipper if I’m
not. He knows my rating I should think, and whether I’m worth _my_ salt
or no. Don’t ye take on so, mother, I say!”
But the Quadroon was weeping without concealment now.
Public-domain text, read in full here on John Shaqi.
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