Cerise: A Tale of the Last CenturyWhyte-Melville, G. J. (George John)
General
Cerise: A Tale of the Last Century
Whyte-Melville, G. J. (George John)
Historical fiction
grow, through briar and bramble, to end at last in a treacherous morass,
whence extrication is generally difficult, sometimes impossible, and
always unpleasant. Nevertheless, to get Cerise back from her pension,
to find that she had grown into a woman, yet without losing the child’s
blue eyes, fond and frank and innocent as ever—to watch her matured
intellect, to feel that the plaything was a companion now, though playful
and light-hearted still—lastly, to discover that she was a beauty, but
a beauty who could never become a rival, because in quite a different
style from her mother—all this was very delightful, and the Marquise,
seldom low-spirited at any time, had become perfectly sparkling since her
daughter came home.
So she carolled about the boudoir like a girl, coaxing Pierrot, arranging
the flowers, and warning Célandine, between the notes of her foolish
love-song, not to let mademoiselle’s chocolate get cold. Mademoiselle,
you see, was tired and not yet down; indeed, to tell the truth, not yet
up, but pressing a soft flushed cheek against her laced pillow, having
just awoke from a dream, in which she was back at the convent in Normandy
once more, sauntering down the beech-walk with her director, who somehow,
instead of a priest’s habit, wore the uniform of the Grey Musketeers,
an irregularity that roused the wrath of the Lady Superior and made her
speak out freely; whereat the Musketeer took his pupil’s part, looking
down on her with a brave brown face and kind eyes, while he clasped her
hand in fond assurance of his aid. Waking thus, she tried hard to get
back to sleep, in hopes of dreaming it all over again.
Public-domain text, read in full here on John Shaqi.
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