Certain Personal MattersWells, H. G. (Herbert George)
General
Certain Personal Matters
Wells, H. G. (Herbert George)
Wells, H. G. (Herbert George), 1866-1946
"Coming back to wrathy swearing, I must confess I am sorry to see it
decay. It was such a thoroughly hygienic and moral practice. You see, if
anything annoying happens to a man, or if any powerful emotion seizes
him, his brain under the irritation begins to disengage energy at a
tremendous rate. He has to use all his available force of control in
keeping the energy in. Some of it will leak away into the nerves of his
face and distort his features, some may set his tear-glands at work,
some may travel down his vagus nerve and inhibit his heart's action so
that he faints, or upset the blood-vessels in his head and give him a
stroke. Or if he pens it up, without its reaching any of these vents, it
may rise at last to flood-level, and you will have violent assaults, the
breaking of furniture, 'murther' even. For all this energy a good
flamboyant, ranting swear is Nature's outlet. All primitive men and most
animals swear. It is an emotional shunt. Your cat swears at you because
she does not want to scratch your face. And the horse, because he cannot
swear, drops dead. So you see my reason for regretting the decay of
this excellent and most wholesome practice....
"However, I must be getting on. Just now I am travelling about London
paying cabmen their legal fares. Sometimes one picks up a new variant,
though much of it is merely stereo."
And with that, flinging a playful curse at me, he disappeared at once
into the tobacco smoke from which I had engendered him. An amusing and
cheerful person on the whole, though I will admit his theme was a little
undesirable.
DUNSTONE'S DEAR LADY
The story of Dunstone is so slight, so trivial in its cardinal
incidents, such a business of cheap feathers and bits of ribbon on the
surface, that I should hesitate to tell it, were it not for its
Inwardness, what one might call the symbolism of the thing. Frankly, I
do not clearly see what that symbolism is, but I feel it hovering in
some indefinable way whenever I recall his case. It is one of those
things that make a man extend his arm and twiddle his fingers, and say,
blinking, "Like _that_, you know." So do not imagine for one moment that
this is a shallow story, simply because it is painted, so to speak, not
in heart's blood but in table claret.
Dunstone was a strong, quiet kind of man--a man of conspicuous
mediocrity, and rising rapidly, therefore, in his profession. He was
immensely industrious, and a little given to melancholia in private
life. He smoked rather too many cigars, and took his social occasions
seriously. He dressed faultlessly, with a scrupulous elimination of
style. Unlike Mr. Grant Allen's ideal man, he was not constitutionally a
lover; indeed, he seemed not to like the ordinary girl at all--found her
either too clever or too shallow, lacking a something. I don't think
_he_ knew quite what it was. Neither do I--it is a case for extended
hand and twiddling fingers. Moreover, I don't think the ordinary girl
took to Dunstone very much.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account