Certain Personal MattersWells, H. G. (Herbert George)
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Certain Personal Matters
Wells, H. G. (Herbert George)
Wells, H. G. (Herbert George), 1866-1946
He suffered, I fancy, from a kind of mental greyness; he was all subtle
tones; the laughter of girls jarred upon him; foolish smartness or
amiable foolishness got on his nerves; he detested, with equal
sincerity, bright dressing, artistic dabbling, piety, and the glow of
health. And when, as his confidential friend--confidential, that is, so
far as his limits allowed--I heard that he intended to marry, I was
really very much surprised.
I expected something quintessential; I was surprised to find she was a
visiting governess. Harringay, the artist, thought there was nothing in
her, but Sackbut, the art critic, was inclined to admire her bones. For
my own part, I took rather a liking to her. She was small and thin, and,
to be frank, I think it was because she hardly got enough to eat--of the
delicate food she needed. She was shabby, too, dressed in rusty
mourning--she had recently lost her mother. But she had a sweet, low
voice, a shrinking manner, rather a graceful carriage, I thought, and,
though she spoke rarely, all she said was sweet and sane. She struck me
as a refined woman in a blatant age. The general effect of her upon me
was favourable; upon Dunstone it was tremendous. He lost a considerable
proportion of his melancholia, and raved at times like a common man. He
called her in particular his "Dear Lady" and his "Sweet Lady," things
that I find eloquent of what he found in her. What that was I fancy I
understand, and yet I cannot say it quite. One has to resort to the
extended arm and fingers vibratile.
Before he married her--which he did while she was still in
half-mourning--there was anxiety about her health, and I understood she
needed air and exercise and strengthening food. But she recovered
rapidly after her marriage, her eyes grew brighter, we saw less of
Sackbut's "delicious skeleton." And then, in the strangest way, she
began to change. It is none of my imagining; I have heard the change
remarked upon by half a dozen independent observers. Yet you would think
a girl of three-and-twenty (as she certainly was) had attained her
development as a woman. I have heard her compared to a winter bud, cased
in its sombre scales, until the sun shone, and the warm, moist winds
began to blow. I noticed first that the delicate outline of her cheek
was filling, and then came the time when she reverted to colour in her
dress.
Public-domain text, read in full here on John Shaqi.
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