Aye, go to the house of any successful merchant, (only the accursed Jews and the outlanders did not use khat) between these hours and say that you had urgent news for him or that you had come to buy a lakh of rupees’ worth of skins.... His servant would meet you on the verandah (accursed dogs! How well he knew them and their airs!) and offer the profoundest apologies ... the master would be unutterably sick (here he would begin to weep), or his sister’s husband’s aunt’s mother had died this very morning and full of unutterable woe as he was he would be doing no business; or certainly he had gone to Tawahi but assuredly would return by three. Would the caller wait? And at that very moment the rich dog would be in his mabraz at the top of his house smoking his hubbuk and chewing his leaves—he who only this morning had refused Ibn so much as a leaf! Bismillah! Let him rot like a dead jackal! Or was it one who was less rich? Behold the public mabraz, such as he—Ibn—dared not even look into save as a wandering teller of tales, or could only behold from afar. For here these prosperous swine could take their ease in the heat of the day, cool behind trellised windows of these same, or at night could dream where were soft lights and faint strains of song, where sombre shadow-steeped figures swayed as though dizzy with the sound of their own voices, chanting benedictions out of the Koran or the Prophets. Had he not told tales for them in his time, the uncharitable dogs? Even now, at this noon hour, one might see them, the habitués of these same well-ventilated and well-furnished public rooms, making off in state for their favorite diversion, their khat tied up in a bright shawl and conspicuously displayed—for whom except himself, so poor or so low that he could not afford a little?—and all most anxious that all the world should know that they went thus to enjoy themselves. In the mabraz, each one his rug and pillow arranged for him, he would recline, occupying the space assigned him and no more. By his side would be the tall narghili or hubbuk, the two water-pots or chatties on copper stands, and a bowl of sweets. Bismillah, he was no beggar! When the mabraz was comfortably filled with customers a servant would come and light the pipes, some one would produce a Koran or commence a story—not he any more, for they would not have him, such was his state—and the afternoon’s pleasure would begin. Occasionally the taraba (a kind of three-stringed viol) would be played, or, as it might happen, a favorite singer be present. Then the happy cries of “_Taieeb!_” or “_Marhabba! Marhabba!_” (Good!), or the more approbative “O friend, excellent indeed!” would be heard. How well he remembered his own share in all this in former years, and how little the knowledge of it all profited him now—how little! Ah, what a sadness to be old and a beggar in the face of so much joy!