Chains : $b lesser novels and storiesDreiser, Theodore
General
Chains : $b lesser novels and stories
Dreiser, Theodore
American fiction -- 20th century; Short stories, American
And in consequence various brazen parades past the very paint store
of Zobel, with the fair Ida within. And this despite the fact that
Zobel himself was there—morning, noon and night—bent over his cash
register or his books or doing up something for a customer. And Ida, by
reason of her repressed desires and sudden strong consciousness of his
interest in her as thus expressed, more and more attracted to him. And
he, because of this or his own interest, coming to note the hours when
she was most likely to be alone. These were, as a rule, Wednesdays and
Fridays, when because of a singing society as well as a German social
and commercial club her father was absent from eight-thirty on. And
although occasionally assisted by her stepmother she was there alone on
these nights.
And so a campaign which was to break the spell which held the
sleeping beauty. At first, however, only a smile in the direction
of Ida whenever he passed or she passed him, together with boasts
to his friends to the effect that he would “win that kid yet, wait
and see.” And then, one evening, in the absence of Zobel, a visit to
the store. She was behind the counter and between the business of
waiting on customers was dreaming as usual of the life outside. For
during the past few weeks she had become most sharply conscious of the
smiling interest of Hauptwanger. His straight, lithe body—his quick,
aggressive manner—his assertive, seeking eyes! Oh, my! Like the others
who had gone before him and who had attracted her emotional interest,
he was exactly of that fastidious, self-assured and self-admiring
type toward which one so shy as herself would yearn. No hesitancy on
his part. Even for this occasion he had scarcely troubled to think of
a story. What difference? Any old story would do. He wanted to see
some paints. They might be going to repaint the house soon—and in the
meantime he could engage her in conversation, and if the “old man” came
back, well, he would talk paints to him.
And so, on this particularly warm and enticing night in May, he walked
briskly in, a new gray suit, light tan fedora hat and tan shoes and tie
completing an ensemble which won the admiration of the neighborhood.
“Oh, hello. Pretty tough to have to work inside on a night like this,
ain’t it?” (A most irresistible smile going with this.) “I want to
see some paints—the colors of ’em, I mean. The old man is thinking of
repainting the house.”
Public-domain text, read in full here on John Shaqi.
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