Chains : $b lesser novels and storiesDreiser, Theodore
General
Chains : $b lesser novels and stories
Dreiser, Theodore
American fiction -- 20th century; Short stories, American
But in the meantime young Hauptwanger unconscious and being transferred
to an operating table at Mercy Hospital—his case pronounced
hopeless—twenty-four hours of life at the very most. And his father
and mother hearing the news and running there. And in the same period
the tortured Ida transferred to Henderson Avenue Police Station, where
in a rear inquisitorial chamber, entirely surrounded by policemen and
detectives, she was questioned and requestioned. “Yah say yah seen this
fella for the first time over a year ago? Is that right? He just moved
into the neighborhood a little while before? Ain’t that so?” And the
disconsolate, half-conscious Ida nodding her head. And outside a large,
morbid, curious crowd. A beautiful girl! A young man dying! Some sex
mystery here.
And in the interim Zobel himself and his wife, duly informed by a burly
policeman, hurrying white-faced and strained to the station. My God!
My God! And both rushing in breathless. And beads of perspiration on
Zobel’s forehead and hands—and misery, misery eating at his vitals.
What! His Ida had shot some one! Young Hauptwanger! And in the street,
near his office! Murder! Great God! Then there was something between
them. There was. There was. But might he not have known? Her white
face. Her dreary, forsaken manner these later days. She had been
betrayed. That was it. Devils! Devils! That was it! Eighty thousand
hells! And after all he had said to her! And all his and his wife’s
care of her! And now the neighbors! His business! The police! A public
trial! Possibly a sentence—a death sentence! God in heaven! His own
daughter, too! And that young scoundrel with his fine airs and fine
clothes! Why—why was it that he had let her go with him in the first
place? When he might have known—his daughter so inexperienced. “Where
is she? My God! My God! This is terrible!”
But seeing her sitting there, white, doleful-looking, and looking up
at him when spoken to with an almost meaningless look—a bloodless,
smileless face—and saying: “Yes, I shot him. Yes. Yes. He wouldn’t
marry me. He should have but he wouldn’t—and so—” And then at once
crushing her hands in a sad, tortured way and crying: “Oh, Ed! Ed!”
And Zobel exclaiming: “Ach, God! Ida! Ida! In God’s name, it can’t be
so. Why didn’t you tell me? Why didn’t you come to me? Am I not your
father! I would have understood. Of course! Of course! I would have
gone to his father—to him. But now—this—and now—” and he began to wring
his own hands.
Public-domain text, read in full here on John Shaqi.
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