Chains : $b lesser novels and storiesDreiser, Theodore
General
Chains : $b lesser novels and stories
Dreiser, Theodore
American fiction -- 20th century; Short stories, American
At one point in these extensive grounds—entirely surrounded by Lombardy
poplars now leafless—there stood a fountain drained of its water for
the winter. But upon the pedestal, upon a bronze rock, at the foot of
which washed bronze waves of the Rhine, a Rhine maiden of the blonde
German Lorelei type, standing erect and a-dream, in youth, in love. And
at her feet, on his knees, a German lover of the Ritter type—vigorous,
uniformed, his fair blond head and face turned upward to the beauty
about whose hips his arms were clasped—his look seeking, urgent. And
upon his fair bronze hair, her right hand, the while she bent on him
a yearning, yielding glance. Oh, Edward! Oh, love! Spring! She must
not come out here any more. And yet evening after evening in early
December, once the first great gust of this terrific storm had subsided
and she was seeing things in a less drastic light, she was accustomed
to return to look at it. And sometimes, even in January, a new moon
overhead would suggest King Lake Park! The little boats gliding here
and there! She and Edward in one. Herself leaning back and dreaming as
now—now—this figure of the girl on the rock was doing. And he—he—at
her knees. To be sure, he had cursed her. He had said the indifferent,
cruel words that had at last driven her to madness. But once he had
loved her just this way. It was there, and only there, that she found
spiritual comfort in her sorrow—
But then, in due course, the child—with all these thoughts, moods
enveloping it. And after that the trial, with her prompt acquittal.
A foreseen conclusion. And with loud public acclaim for that verdict
also, since it was all for romance and drastic drama. And then the
final leaving of these great rooms and this personal intimate affection
that had been showered upon her. For after all the legal, if not the
emotional problem, had now been solved. And since her father was
not one who was poor or welcomed charity—a contemplated and finally
accomplished return to a new world—the new home and store which had
been established in a very different and remote part of the city. The
child a boy. That was good, for eventually he could care for himself.
He would not need her. The new paint shop was near another cross
business street, near another moving-picture theatre. And boys and
girls here as elsewhere—on the corners—going arm in arm—and herself
again at home cooking, sewing, cleaning as before. And with Mrs. Zobel
as reserved and dubious as before. For after all, had she not made a
mess of her life, and for what? What now? Here forever as a fixture?
And even though Zobel, in spite of his grimness, was becoming fond of
the child. How wretched, how feeble life really was!
Public-domain text, read in full here on John Shaqi.
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