Well, here was the inside now, and things were not a bit different from what they had been in his and her day, when they had both been so poor. No, just the same. The floor a little more nail-marked, perhaps, especially in the kitchen here, where no doubt family after family had tacked down oil-cloth in place of other pieces taken up—theirs, for instance. And here in the parlor—save the mark!—the paper as violent as it had ever been! Such paper—red, with great bowls of pinkish flowers arranged in orderly rows! But then they were paying so little rent that it was ridiculous for them to suggest that they wanted anything changed. The landlord would not have changed it anyhow. And here on the west wall, between the two windows, overlooking Abijah Hargot’s home and the river and the creeping city beyond, was where he had hung a wretched little picture, a print of an etching of a waterscape which he had admired so much in those days and had bought somewhere second-hand for a dollar—a house on an inlet near the sea, such a house as he would have liked to have occupied, or thought he would—then. Ah, these windows! The northernmost one had always been preferred by him and her because of the sweep of view west and north. And how often he had stood looking at a soft, or bleak, or reddening, sunset over the river; or, of an early night in winter, at the lights on the water below. And the outpost apartments and homes of the great city beyond. Life had looked very dark then, indeed. At times, looking, he had been very sad. He was like some brooding Hamlet of an inventor as he stood there then gazing at the sweet little river, the twinkling stars in a steely black sky overhead; or, in the fall when it was still light, some cold red island of a cloud in the sky over the river and the city, and wondering what was to become of him—what was in store for him! The fallacy of such memories as these! Their futility!