Chains : $b lesser novels and storiesDreiser, Theodore
General
Chains : $b lesser novels and stories
Dreiser, Theodore
American fiction -- 20th century; Short stories, American
There was no question here of what was right or wrong, conventional or
otherwise. This was love, and this her beloved. Had she not sought him
in the highways and the byways? At the close of one afternoon, as she
was insisting that she must continue her search for work, now more than
ever since neither he nor she had anything, he had said sadly: “Don’t
go. We need so little, Ulrica. Don’t. I can’t stand it now.” And she
had come back. “No,” she had replied, “I won’t—I can’t—not any more, if
you want me.”
And she had stayed.
And that wondrous, beautiful love-life! The only love-life she had ever
known.
But just the same she had seen that she must redouble her efforts to
make her way, and had. Six hundred dollars she had brought to the city
was nearly all gone, and as for Vivian, his allotment was what he could
earn, a beggar’s dole. During the days that followed, each bringing
them closer, he had confessed more and more of the difficulties that
confronted him, how hard it was to sell his wares. And she—it was
needful for her to reopen the pages of her past. She had not been happy
or prosperous, she told him; fortune might have been hers for the
taking but she could not endure those who came with it. Now that she
had the misery of her soul’s ache removed she must find something to
do. The stage was her great opportunity. And plainly his life was one
which had always been and must be based on the grudged dole that life
offers to those who love its beauty and lift their eyes. So few, as
yet, knew of his work or had been arrested by it. Yet if he persisted,
as she felt,—if that wondrous something in his work which had attracted
the sensitive and selective did not fail—
_The hot, bare redness of the walls of these streets, so flowerless,
so bleak, and yet so alive and human!_
But all too well she understood that his life, unless changed by her,
would ever be the meagre thing it had been. Beauty was his, but no
more,—a beauty of mind and of dreams and of the streets and the night
and the sea and the movements of life itself, but of that which was
material he had nothing. That was for those whom she had been unable
to endure. Only by a deft synthesis of those wondrous faculties which
concern beauty was he able to perceive, respond to, translate the
things which he saw and felt, and these were not of matter. Rather,
they were epitomes, his pictures, of lands and skies and seas and
strange valleys of dreams, worlds in miniature. But what transmutations
and transferences! She was never weary of the pictures he made. Nor
was she ever weary of the picture he made before his easel, tenuous
and pale and concerned, his graceful hands at work with the colors he
synthetized. The patience, the stability, the indifference to all but
that which was his to do!
“_Into Bartow Street, Fred._”
Public-domain text, read in full here on John Shaqi.
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