Osterman—and her sons and their friends found a good many excuses for staying out at Shell Cove. There were always big doings out there. Still, she was clever enough to be around him sometimes so as to make it appear, to him at least, that she wasn’t neglecting him. As for him, he just pottered around up there in that great house, showing his agents and employés, and the fellows who buzzed about him to sell him things, the pictures she was collecting—or, rather, D’Eyraud—and letting it appear that he was having something to do with it. For he was a vain old soldier, even if he did have one of the best business minds of his time. You’d think largeness of vision in some things might break a man of that, but it never does, apparently. “Whenever I think of him I think of that big house, those heavily carved and gilded rooms, the enormous eighty-thousand dollar organ built into the reception-room, and those tall stained-glass windows that gave the place the air of a church. Beseroe once told me that if left to follow her own taste Mrs. Osterman would never have built that type of house, but that Osterman wanted something grand and had got his idea of grandeur from churches. So there was nothing to do but build him a house with tall Gothic windows and a pipe-organ, and trust to other features to make it homelike and livable. But before they were through with it Mrs. Osterman and D’Eyraud had decided that the best that could be done with it would be to build something that later could be turned into an art gallery and either sold or left as a memorial. But I think both D’Eyraud and Mrs. Osterman were kidding the old man a little when they had that self-playing attachment built in. It looked to me as though they thought he was going to be alone a good part of the time and might as well have something to amuse himself with. And he did amuse himself with it, too. I recall going up there one day and finding him alone, in so far as the family was concerned, but entirely surrounded by twenty-five or more of those hard, slick and yet nervous (where social form was concerned) western and southern business agents and managers of his, present there to hold a conference. A luncheon was about to be served in the grand dining-room adjoining the reception-room, and there were all these fellows sitting about that big room like a lot of blackbirds, and Osterman upon a raised dais at one end of the room solemnly rendering _The Bluebells of Scotland_, one of his favorites, from the self-player attachment! And when he finished they all applauded!