Chaitanya's Life And Teachings: From his contemporary Begali biography the Chaitanya-charit-amritaKṛṣṇadāsa Kavirāja Gosvāmi
Religion
Chaitanya's Life And Teachings: From his contemporary Begali biography the Chaitanya-charit-amrita
Kṛṣṇadāsa Kavirāja Gosvāmi
Chaitanya, 1486-1534; Hinduism
So spoke the Master artfully, as he knew the Bhatta to be very proud of
his learning, and to have long cherished the conceit that he knew all
the _bhakti_-theology of the Vaishnavs and could expound the _Shrimad
Bhágabat_ best. The Master's words curbed this pride of the Bhatta, and
he longed to know the many disciples whose Vaishnav character the Master
had just extolled. He asked, "Where do these Vaishnavs live? How can I
meet them?" The Master replied, "Some live here, some on the bank of the
Ganges (_i.e._, at Navadwip, Panihati etc.). These latter have all come
here for the Car festival, and have taken up lodgings in this place.
Here will you meet all of them."
Next day when all the Vaishnavs came to the Master's place, He
introduced them to the Bhatta. Their Vaishnav-splendour filled the
Bhatta with amazement and he looked like a firefly in their company.
Then he feasted the Master and His disciples on huge quantities of
_mahá-prasád_. The _sannyasis_ sat down with Paramananda Puri on one
side. The Master sat down between Adwaita and Nityánanda, while His
disciples sat before and behind. The _bhaktas_ from Bengal were
countless; they filled the yard row on row. Vallabh Bhatta marvelled at
the sight of them and bowed at the feet of each. He himself served the
_mahá-prasád_ to the Master and the _sannyasis_. They shouted _Hari!
Hari!_ on receiving the _prasád_. The roar of Hari's name filled the
universe. The Bhatta gave away garlands, sandal-paste, betel-leaf and
nuts and delighted all with his reverence.
On the day of the Car procession, the Master began _kirtan_. As before,
He formed seven distinct groups of singers, under Adwaita, Nityánanda,
Haridas, Vakreshwar, Shribas, Raghav Pandit, and Gadadhar, who sang at
different places. The Master roamed about shouting _Hari_, while
fourteen drums (_mádal_) lifted up the din of the _sankirtan_. The
sight filled Vallabh Bhatta with marvel; he flew into a transport of
delight and could not control himself. Then the Master stopped the dance
of the others and began to dance Himself. As he gazed on the Master's
beauty and the exuberance of His _prem_, the Bhatta believed that the
Master was Krishna himself!
Public-domain text, read in full here on John Shaqi.
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