7. For the rest of the creation, Berosus' account (quoted from the book said to have been given men by the fabulous Oannes), agrees with what we find in the original texts, even imperfect as we have them. He says that in the midst of Chaos--at the time when all was darkness and water--the principle of life which it contained, restlessly working, but without order, took shape in numberless monstrous formations: there were beings like men, some winged, with two heads, some with the legs and horns of goats, others with the hind part of horses; also bulls with human heads, dogs with four bodies and a fish's tail, horses with the heads of dogs, in short, every hideous and fantastical combination of animal forms, before the Divine Will had separated them, and sorted them into harmony and order. All these monstrous beings perished the moment Bel separated the heavens from the earth creating light,--for they were births of darkness and lawlessness and could not stand the new reign of light and law and divine reason. In memory of this destruction of the old chaotic world and production of the new, harmonious and beautiful one, the walls of the famous temple of Bel-Mardouk at Babylon were covered with paintings representing the infinite variety of monstrous and mixed shapes with which an exuberant fancy had peopled the primeval chaos; Berosus was a priest of this temple and he speaks of those paintings as still existing. Though nothing has remained of them in the ruins of the temple, we have representations of the same kind on many of the cylinders which, used as seals, did duty both as personal badges--(one is almost tempted to say "coats of arms")--and as talismans, as proved by the fact of such cylinders being so frequently found on the wrists of the dead in the sepulchres. [Illustration: 63.--FEMALE WINGED FIGURES BEFORE THE SACRED TREE. (From a photograph in the British Museum.)]