Chaldea: From the Earliest Times to the Rise of AssyriaRagozin, Zénaïde A. (Zénaïde Alexeïevna)
History
Chaldea: From the Earliest Times to the Rise of Assyria
Ragozin, Zénaïde A. (Zénaïde Alexeïevna)
Babylonia -- History
2. There is no need to repeat here instances of the Shumiro-Accadian and
Chaldean myths; the last three or four chapters have been filled with
them. But the instances of religious feeling, though scattered in the
same field, have to be carefully gleaned out and exhibited, for they
belong to that undercurrent of the soul which pursues its way
unobtrusively and is often apparently lost beneath the brilliant play of
poetical fancies. But it is there nevertheless, and every now and then
forces its way to the surface shining forth with a startling purity and
beauty. When the Accadian poet invokes the Lord "who knows lie from
truth," "who knows the truth that is in the soul of man," who "maketh
lies to vanish," who "turneth wicked plots to a happy issue"--this is
religion, not mythology, for this is not _a story_, it is the expression
of _a feeling_. That "the Lord" whose divine omniscience and goodness
is thus glorified is really the Sun, makes no difference; _that_ is an
error of judgment, a want of knowledge, but the religious feeling is
splendidly manifest in the invocation. But when, in the same hymn, the
Sun is described as "stepping forth from the background of the skies,
pushing back the bolts and opening the gate of the brilliant heaven, and
raising his head above the land," etc., (see p. 172) that is only a very
beautiful, imaginative description of a glorious natural
phenomenon--sunrise; it is magnificent poetry, religious in so far as
the sun is considered as a Being, a Divine Person, the object of an
intensely devout and grateful feeling; still this is not religion, it is
mythology, for it presents a material image to the mind, and one that
can be easily turned into narrative, into _a story_,--which, in fact,
_suggests_ a hero, a king, and a story. Take, again, the so-called
"Penitential Psalms." To the specimen given on p. 178, let us add, for
greater completeness, the following three remarkable fragments:
I. "God, my creator, take hold of my arms! Direct the breath of
my mouth, my hands direct, O lord of light."
II. "Lord, let not thy servant sink! Amidst the tumultuous
waters take hold of his hand!"
III. "He who fears not his God, will be cut off even like a
reed. He who honors not his goddess, his bodily strength will
waste away; like to a star of heaven, his splendor will pale;
he will vanish like to the waters of the night."
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